LP Ian Matthews / If You Saw Thro' My Eyes 71 UK swirl Vertigo press M-/VG+
€
59
$
69
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Companies, etc.
- Engineered At – Morgan Studios
- Pressed By – Phonodisc Ltd.
Credits
- Engineer – Robin Black
- Musician – Andy Roberts (3), Gerry Conway, Keith Tippett, Richard (The Fly) Thompson*, Sandy Denny, Tim Renwick
- Photography By – Steve Hiett
- Producer – Ian Matthews*
- Sleeve [Sleeve Styled By] – Design Machine
Notes
Fully textured gatefold sleeve.Vertigo 'swirl' label. (Big swirl on side B with 'VERTIGO' below spindle hole.)
Vertigo polylined inner sleeve.
℗ 1971
Runouts are stamped.
Barcode and Other Identifiers
- Matrix / Runout (Side B label): 6360 034 2
- Matrix / Runout (Side A runout variant 1): 6360034 1Y//1 1 1 3
- Matrix / Runout (Side B runout variant 1): 6360034 2Y//1 1 1 2
- Matrix / Runout (Side A runout variant 2): 6360034 1Y//1 1 1 4
- Matrix / Runout (Side B runout variant 2): 6360034 2Y//1 1 1 4
- Matrix / Runout (Side A runout variant 3): 6360034 1Y//1 11 1
- Matrix / Runout (Side B runout variant 3): 6360034 2Y//1 11 2
The record is located in Italy.
NOTE: Original 1971 UK Swirl Vertigo press.
Record conditions (VISUAL): M-
Description: Record is near perfect, looks unplayed like new, no sign, no scratch, no remove hairline visible, even under a 100 watt spot. The vinyl lays perfectly flat on the turntable and is free of any warping. The record tests beautifully, without any loss in sound quality, or deterioration in aural performance, and can be enjoyed without disturbance. (Playgrade is M-)
Cover conditions : VG+
Description: Gatefold TEXTURED cover is in VG+ shape, no major defects, minor signs of aging, shelf wear on the edges.
Label conditions : M-
Description: maybe few light spindle hole lines visible.
Inner sleeve conditions : M-
Description:(Perhaps a perfect replica?) Swirl Vertigo company plastic bag.
Ian Matthews – If You Saw Thro' My Eyes
Tracklist
Hide Credits A1 Desert Inn Acoustic Guitar – Andy* Bass – Pat* Drums – Gerry* Electric Guitar – Richard*, Tim* Written-By – Matthews* Acoustic Guitar – Andy* Bass – Pat* Drums – Gerry* Electric Guitar – Richard*, Tim* Written-By – Matthews* 3:30 A2 Hearts Acoustic Guitar – Andy* Bass – Pat* Drums – Gerry* Electric Guitar – Richard* Piano – Sandy* Written-By – Matthews* Acoustic Guitar – Andy* Bass – Pat* Drums – Gerry* Electric Guitar – Richard* Piano – Sandy* Written-By – Matthews* 3:12 A3 Never Ending Acoustic Guitar – Richard* Harmonium – Sandy* Piano – Keith* Written-By – Matthews* Acoustic Guitar – Richard* Harmonium – Sandy* Piano – Keith* Written-By – Matthews* 2:48 A4 Reno Nevada Acoustic Guitar – Andy*, Richard* Bass – Pat* Drums – Gerry* Electric Guitar – Richard*, Tim* Written-By – Fariña* Acoustic Guitar – Andy*, Richard* Bass – Pat* Drums – Gerry* Electric Guitar – Richard*, Tim* Written-By – Fariña* 4:47 A5 Little Known Acoustic Guitar – Andy* Bass – Pat* Electric Guitar – Tim* Percussion – Gerry* Written-By – Matthews* Acoustic Guitar – Andy* Bass – Pat* Electric Guitar – Tim* Percussion – Gerry* Written-By – Matthews* 2:55 A6 Hinge Arranged By [String] – Del Newman Written-By – Matthews* Arranged By [String] – Del Newman Written-By – Matthews* 1:20 B1 Hinge Written-By – Matthews* Written-By – Matthews* 1:10 B2 Southern Wind Acoustic Guitar – Andy* Backing Vocals – Doris Troy, Liza Strike, Nanette Workman Bass – Pat* Drums – Gerry* Electric Guitar – Tim* Piano – Keith* Written-By – Matthews* Acoustic Guitar – Andy* Backing Vocals – Doris Troy, Liza Strike, Nanette Workman Bass – Pat* Drums – Gerry* Electric Guitar – Tim* Piano – Keith* Written-By – Matthews* 2:30 B3 It Came Without Warning Acoustic Guitar – Andy*, Richard* Bass – Pat* Drums – Gerry* Electric Guitar – Richard* Written-By – Jacobs*, Burnham* Acoustic Guitar – Andy*, Richard* Bass – Pat* Drums – Gerry* Electric Guitar – Richard* Written-By – Jacobs*, Burnham* 4:01 B4 You Couldn't Lose Acoustic Guitar – Gerry* Written-By – Matthews* Acoustic Guitar – Gerry* Written-By – Matthews* 2:37 B5 Morgan The Pirate Acoustic Guitar – Richard* Acoustic Guitar [12 Strings] – Andy* Acoustic Guitar [Lead] – Tim* Bass – Pat* Drums – Gerry* Written-By – Fariña* Acoustic Guitar – Richard* Acoustic Guitar [12 Strings] – Andy* Acoustic Guitar [Lead] – Tim* Bass – Pat* Drums – Gerry* Written-By – Fariña* 6:46 B6 Thro' My Eyes Electric Guitar – Tim* Piano – Sandy* Vocals [2nd] – Sandy* Written-By – Matthews* Electric Guitar – Tim* Piano – Sandy* Vocals [2nd] – Sandy* Written-By – Matthews* 2:34
Cover> Vinyl
MINT
NM
EX
VG
G
MINT
100%
NM
95%
Ex
85%
VG
75%
G
50%
Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.
I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.
Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.
Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro
Appropriate Feedback Is Left AFTER Yours Is Left.
Good luck!!!
Record Collector Magazine Grading System
MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.
NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM covers are free of creases, ring wear and seam splits of any kind
EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.
price rating
