LP Manfred Mann Chapter Three UK Swirl Vertigo + OIS V03 Prog. Mint/EX+
€
139
$
162
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Description
The record is located in Italy.
NOTE: Original 1969 UK press
Record conditions (Visual): M
Description: Record is perfect, looks unplayed like new, no sign, no scratch, no remove hairline visible, even under a 100 watt spot The vinyl lays perfectly flat on the turntable and is free of any warping (Playgrade is M)
Cover conditions : EX+
Description: Matt gatefold sleeve, minor signs of aging. Inside, there is a crease in the closing edge of the cover. This defect is present in all copies printed at the time (see last photo).
Label conditions : M
Description: no spindle hole lines visible
Inner sleeve conditions : VG+
Description: Original Swirl Vertigo company plastic bag.
Manfred Mann Chapter Three – Manfred Mann Chapter Three
Etichetta:
Vertigo – VO 3, Vertigo – 847 902 VTYFormato:
Vinile, LP, AlbumPaese:
UKUscita:
1970Genere:
Jazz, RockStile:
Fusion, Jazz-Rock A1 Travelling Lady Written-By – Mann, Hugg* A2 Snakeskin Garter Written-By – Hugg* A3 Konekuf Written-By – Mann* A4 Sometimes Guitar – Brian Hugg Written-By – Hugg* A5 Devil Woman Written-By – Hugg* B1 Time Trumpet [Solo] – Harold Becket* Written-By – Hugg* B2 One Way Glass Vocals – Mann* Written-By – Mann* B3 Mister You're A Better Man Than I Written-By – B. Hugg*, M. Hugg* B4 Ain't It Sad Written-By – Hugg* B5 A Study In Inaccuracy Written-By – Mann* B6 Where Am I Going Written-By – Hugg*- Studio di registrazione – Maximum Sound Studios
- Incisione su acetato presso – Phonodisc Ltd.
- Inciso presso – Phonodisc Ltd.
- Alto Flute – Bernie Living
- Arranged By [Additional Brass] – Derek Wadsworth
- Arranged By [Brass] – Manfred Mann (2), Mike Hugg
- Design [Sleeve Design] – Jack Levy
- Drums – Craig Collinge
- Electric Bass [Fender], Guitar, Harp – Steve York
- Engineer – Dave Hadfield
- Organ, Whistle [Police] – Manfred Mann (2)
- Performer [Backing Vocals] – Madeline Bell, Sue & Sonny*
- Performer [Brass] – Chris Pyne, Dave Potter (3), Dave Quincy, David Coxhill, Derek Wadsworth, Geoff Driscoll, Harold Beckett*, Ian Fenby, Nick Evans, Phil Kenzie, Sonny Corbett
- Photography By – Johnny Clamp
- Piano, Vocals – Mike Hugg
- Producer – Dave Hadfield
Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.
I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.
Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.
Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro
Appropriate Feedback Is Left AFTER Yours Is Left.
Good luck!!!
The record is located in Italy
My grading scale is : M-, EX, VG+,VG, G
Cover> Vinyl
MINT
NM
EX
VG
G
MINT
100%
NM
95%
Ex
85%
VG
75%
G
50%
Record Collector Magazine Grading System
MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.
NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM covers are free of creases, ring wear and seam splits of any kind
EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.
price rating