LP Manfred Mann Chapter Three Volume Two 1970 UK Swirl Vertigo 1st press EX+/EX
€
139
$
162
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
The record is located in Italy The record is located in Italy
NOTE: Original 1970 UK 1st press
Record conditions (Visual): EX+
Description: Great condition, no scratch or sign under normal daylight, under a strong light bulb there are some removal hairlines visible when angled. The Vinyl is in stunning shape retaining its original sheen, lays perfectly flat on the turntable and is free of any warping. Record play perfect. Do not jump or other. (Playgrade is NEAR Mint)
Cover conditions : EX
Description: Matt gatefold sleeve, light shelf wear on the edges. tear on front sleeve, small writing on back cover, please see images as they form an important part or the item description.
Label conditions : M-
Description: 2 o 3 spindle hole lines visible
Inner sleeve conditions : EX
Description: Correct original Swirl Vertigo company plastic bag.
Manfred Mann Chapter Three – Volume Two
Etichetta:
Vertigo – 6360 012, Vertigo – 6360012Formato:
Vinile, LP, AlbumPaese:
UKUscita:
nov 1970Genere:
Jazz, RockStile:
Jazz-Rock, Prog Rock A1 Lady Ace Written-By – Hugg* A2 I Ain't Laughing Written-By – Hugg* A3 Poor Sad Sue Trumpet – Harry Becket* Violin – Jerry Field* Written-By – Hugg* A4 Jump Before You Think Acoustic Bass – York* Written-By – Hugg* A5 It's Good To Be Alive Drums – Andy McCulloch Written-By – B. Hugg*, Mann* B1 Happy Being Me Drums – Conrad Isidore Soprano Saxophone, Tenor Saxophone – Clive Stevens Written-By – Hugg* B2 Virginia Written-By – Mann*- Studio di registrazione – Maximum Sound Studios
- Incisione su acetato presso – Phonodisc Ltd.
- Pubblicato da – Tarot Music Ltd.
- Pubblicato da – Carlin
- Stampato presso – Howards Printers (Slough) Ltd.
- Prodotto fisicamente da – Howards Printers (Slough) Ltd.
- Inciso presso – Phonodisc Ltd.
- Acoustic Guitar, Backing Vocals – Brian Hugg
- Alto Saxophone – Bernie Living
- Arranged By [Additional Brass Arrangements] – Derek Wadsworth, Mike Gibb*
- Arranged By [Brass Arrangements] – Manfred Mann And Mike Hugg*
- Baritone Saxophone – David 'Dozy' Coxhill*
- Bass Guitar [Electric And Acoustic] – Steve York
- Design [Album Design], Photography By – Keef (4)
- Drums – Craig Collinge
- Engineer – Dave Hadfield
- Organ – Manfred Mann (2)
- Producer – Hadfield*, Hugg/Mann*
- Soprano Saxophone, Tenor Saxophone – Clive Stevens
- Tenor Saxophone – Dave Brooks
- Trumpet – Sonny Corbett
- Vocals, Piano, Electric Piano – Mike Hugg
First cat.nr. on label, second on cover.
Recorded at Maximum Sound Studio, Old Kent Road, London.
Publishers - Tarot/Carlin
Sleeve printed and made by Howards Priners (Slough) Ltd.
I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.
Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.
Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro
Appropriate Feedback Is Left AFTER Yours Is Left.
Good luck!!!
The record is located in Italy
My grading scale is : M-, EX, VG+,VG, G
Cover> Vinyl
MINT
NM
EX
VG
G
MINT
100%
NM
95%
Ex
85%
VG
75%
G
50%
Record Collector Magazine Grading System
MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.
NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM covers are free of creases, ring wear and seam splits of any kind
EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.
price rating