Lp WERWOLF CREATION - Re-Release - LONG HAIR MUSIC LHC161 - STILL SEALED
$
32
$ 32
Sold For
Dec 2, 2023
Sold Date
Jan 13, 2022
Start Date
1
Number Of Bids
Germany
Country Of Seller
eBay
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Description
lp WERWOLF
CREATION
Country of release: Germany, 2016
Originally released: 1982
Label: Long Hair Music
Catalog number: LHC161
Barcode: 4035177001617
Gatefold Cover/Gatefold Sleeve: No/No
Includes Insert
Condition Record: mint
Condition Cover: mint
lp is still sealed / lp IS STILL SEALED
Photo from my own lp / Photo take From my personal copy
Track Side 1:
1. Soaring (5:17)
2. Journey To The Land Of The Flying Pigs (8:17)
3. Way To Paradise (6:05)
Track Side 2:
1. Daydream (4:45)
2. The Game Is Over (5:07)
3. The Eighth Day (10:31)
Listen At YouTube: https://www.youtube.com/watch?v=eZNMyTsT20U
https://www.youtube.com/watch?v=dkHrbqC13xw
https://www.youtube.com/watch?v=CwYOLrS0b1o
WERWOLF were actually named after The famous bandA lot atTheTime (around 1970). Original crew also included Hartwig Kugoth On guitar and Peter Lorenz On bass. The band Hailed From Olpe and was rehearsing regularly at Besting's newly built HOUSE in Wenden since 1972. Around mid-70's they were joined by Jurgen Gloeckler On keyboards, Michael Schlimm On saxophone/flute and Ellen Wiederstein OnRecordedA 3-track promotional demo, but no label showed particular interest inWERWOLF . Apparently this led To Theof this formation with besting gathering new membersTo SaveTheband , Gerd HowelOn guitar, Burkhard HuckesteinOn bass, Wolfgang Unthan On keyboards and Gitta Löwenstein as lead vocals. Finally, in 1982, The band1000 copiesof their debut ''CREATION ''.
WERWOLF played an elaborate and polished Symphonic Rock with strong CAMEL and RENAISSANCE influences, as many German bands did at TheTime , when facingTheNEW ERAof New Wave and SynthMUSIC , but refusedTo betray their progressive roots. They Sound similar ToofThe late 70's/early 80's, they did useThe synthesizers atA normal rate, but theySTILL sank intoThe organ Sounds andThe Beautiful, melancholic guitar movesofThe Teutonic Prog wave. Lengthy tracks with shifting climates, ethereal female vocals, some beautiful guitar soli, great keyboard themes and A certain symphonic background, propelled by TheThe synth-based monster layers,The pounding groovesOn guitar and organ andThe smooth lyricism. I can't say The material trully belongs among TheofThe err, butThe arrangements are well-crafted with clever useofThe organ in both rhythmic and symphonic lines (The latter remind strongly of GENESIS) andThe unmistakable and dominant spacious keyboardsof German Sympho Kraut Rock. All texts are spoken in English and The 10-min. ''The Eighth Day'' shines through as an excellent piece of CAMEL-esque Symphonic Retro Prog.
With The original VINYLTime ( ).
Refined German Symphonic Rock From TheCAMEL overtones. ( ). Warmly recommended. (apps79/progarchives.com)
Peter Besting - drums, vocals
Gerd Heuel - Guitar
Burkhard Huckestein - bass
Wolfgang Unthan - keyboards
Gitta Löwenstein - vocals
&
Jürgen Glöckler - Organ (Track 3)
Luis Lopez - Vocals, Rhythm Guitar (Tracks 1, 3)
Insured shipping within Germany (generally within 24 hours)
No further shipping costs from the second lp !!
ASK FOR COMBINED SHIPPING!More info or photos? Please ask
Need more info or photos? Please ask
WERWOLF played an elaborate and polished Symphonic Rock with strong CAMEL and RENAISSANCE influences, as many German bands did at TheTime , when facingTheNEW ERAof New Wave and SynthMUSIC , but refusedTo betray their progressive roots. They Sound similar ToofThe late 70's/early 80's, they did useThe synthesizers atA normal rate, but theySTILL sank intoThe organ Sounds andThe Beautiful, melancholic guitar movesofThe Teutonic Prog wave. Lengthy tracks with shifting climates, ethereal female vocals, some beautiful guitar soli, great keyboard themes and A certain symphonic background, propelled by TheThe synth-based monster layers,The pounding groovesOn guitar and organ andThe smooth lyricism. I can't say The material trully belongs among TheofThe err, butThe arrangements are well-crafted with WERWOLF played an elaborate and polished Symphonic Rock with strong CAMEL and RENAISSANCE influences, as many German bands did at TheTime , when facingTheNEW ERAof New Wave and SynthMUSIC , but refusedTo betray their progressive roots. They Sound similar ToofThe late 70's/early 80's, they did useThe synthesizers atA normal rate, but theySTILL sank intoThe organ Sounds andThe Beautiful, melancholic guitar movesofThe Teutonic Prog wave. Lengthy tracks with shifting climates, ethereal female vocals, some beautiful guitar soli, great keyboard themes and A certain symphonic background, propelled by TheThe synth-based monster layers,The pounding groovesOn guitar and organ andThe smooth lyricism. I can't say The material trully belongs among TheofThe err, butThe arrangements are well-crafted with
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