MINTY CLEAN THE MOVE MESSAGE FROM ... 1971 PSYCH Beatles JEFF LYNNE ROY WOOD
$
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EXCEPTIONAL BRITISH p0p~pSyCh 1971
The MOVE
Message From The Country
\ USA (target label/red) CAPITOL - ST 811
NICE MINTY CLEAN... vintage collectible from approx. 42 years back on the scarce target logo/red Capitol label...the LAST stand by THE MOVE, recorded in 1971, and a great one it is::::
Issued after bassist Rick Price's departure, 1971's "Message from the Country" found the band, now effectively a trio consisting of Bev Bevan, Jeff Lynne, and Roy Wood continuing their highly infectious song craft memorable melodies...
A hands down favorite Move LP, "Message from the Country" was a modest change in direction for the band; dropping some of their earlier pop and psychedelic inclinations in favor of what might best be described as a rough stab at proto-Electric Light Orchestra-styled poprock/prog/psych. Mind you, nothing here was as elaborate, or orchestrated as the forthcoming ELO catalog, but you could hear the band (particularly Wood), playing around with new ideas and ways to expand/modify their sound, while Bevan and Lynne focused on a more infectious rock sound. Lots of quality Beatles-vibe here which you'll find to be very catchy.
- Complete with Wood's squalling psychedelic oboe (?) and Lynne's super heavy bass (it'll literally rattle fillings), 'It Wasn't My Idea' came off like a weird mix of The Fab Four flirting with Arthur Brown. Fascinating in a strange hypnotic fashion, it made for a wild way to start the album and is one of Wood's most interesting compositions.
- One of two Bev Bevan compositions, 'The Minister' sounded like a very kinked cover of 'Paperback Writer'. Great Beatlesque melody, complete with killer guitar hood, and glorious vocal harmonies. Beatles fan should think the song is amazing, but not everyone's likely to agree.
- The Lynne penned title track found the band trying to balance commercial with a more progressive orientation. Normally that would be a disaster, but they managed to pull it off with one of the album's most memorable efforts. Lynne also used the song to showcase his overlooked lead guitar skills, turning in the album's prettiest solo.
- Baring more than a passing resemblance to the forthcoming ELO, 'The Words of Aaron' sported the album's most commercial sound. Yeah the lyric was a little heavy handed, but the melody was irresistible, made even better by the cheesy synthesizer. Nice Beatles-styled fade out and martial reprise at the end of the track.
- Simply unlike anything else on the album, 'Ben Crawley Steel Co.' found the band taking a stab at Johnny Cash. The steelworker-to-revolutionary plotline may have been a joke, but Wood and company nailed Cash's unique sound perfectly, right down to the choking-on-nails-vocals which were actually sung by Bevan !
- Side two opened up with Wood's '50s rock-flavored rocker. Once again the bass was kickass, as were the fuzz guitar solos.
- Sounding like a John Lennon "White Album" outtake, or maybe something out of the Donovan catalog, the acoustic 'No Time' was a beautiful ballad that simply oozed that mid-1960s aura (hum, thinkin' thoughts of love and peace). Who knows if it was meant as a joke since it was a fascinating effort.
- Wood always had an ear for a commercial hook and 'Ella James' made it clear that talent hadn't abandoned him. Complete with chiming guitars, this was another one that would have made a dandy single ...
- Bevan's second contribution showed he could turn in a decent Elvis impression. As far as impressions went 'Don't Mess Me Up' wasn't half bad. Not as much fun as the earlier Johnny Cash number, but still okay. On the other hand surrounded by the more adventuresome material on the album, this one paled in comparison.
- 'My Marge' also sounded like a "White Album" outtake. Unfortunately this time out the inspiration sounded like Paul McCartney's 1930's musical hall-styled 'Honey Pie'.
Folks throw around the term 'lost classic' all the time and it's seldom a true description. Trust me. This is one of those rare occasions. Well worth looking for.
credits....glow to BadCAT on the web
"Message From the Country"
(side 1)
It Wasn't My Idea (Roy Wood) - 5:31
The Minister (Bev Bevan) - 4:29
Message from the Country (Jeff Lynne) - 4:45
The Words of Aaron (Roy Wood) - 5:26
Ben Crawley Steel Co. (Roy Wood) - 3:07
(side 2)
Until Your Mama's Gone (Roy Wood) - 5:06
No Time (P. Copestake) - 3:39
Ella James (Roy Wood) - 3:13
Don't Mess Me Up (Bev Bevan) - 3:11
My Marge (Roy Wood) - 2:01
CONDITION: The cover: Very solid cover, the front is rated M- stiff, & clean over front & back cover ...should easily be a collection addition with no bends, no delete marks, no seam splits and no writing ... keeper copy
The vinyl: is all glossy, a CLEAN: M- shiny smooth all the way = plays TOP level with clean Capitol labels
A cool addition to anyone's music library!
SEE: SELLERS OTher items for similar cool sounds for "head" people...
EFFICIENT/CAREFUL GRADING
All imperfections are noted both cover & record
NOTE: All Items backed by money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks! GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M Completely clean, no marks M- Carefully used, looks clean, plays clean, shiny gloss, no marks EX Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG more marks/scratches only minor, nothing deep, no loud clicks or pops this grade is abused by many, VG here does not mean "trashed" VG- surface noise present, will not have skips or jumps ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END BIDDERS PLEASE = Do Not Bid If You Are Not Serious About Following Through The Transaction! ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!
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