Mötley Crüe – Theatre Of Pain

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Label: Elektra – 60418-1-E, Elektra – 9 60418-1-E Format: Vinyl, LP, Album, Stereo, SP - Specialty Pressing Country: US Released: 1985 Genre: Rock Style: Hard Rock, Glam

Tracklist

A1 City Boy Blues 5:05 A2 Smokin' In The Boys Room 3:22 A3 Louder Than Hell 2:31 A4 Keep Your Eye On The Money 4:31 A5 Home Sweet Home 3:55 B1 Tonight (We Need A Lover) 3:35 B2 Use It Or Lose It 3:38 B3 Save Our Souls 4:10 B4 Raise Your Hands To Rock 2:49 B5 Fight For Your Rights 3:40

Companies, etc.

• Manufactured By – Elektra/Asylum/Nonesuch Records
• Pressed By – Specialty Records Corporation
• Produced For – Julia's Music, Inc.
• Recorded At – Pasha Studios
• Recorded At – Cherokee Studios
• Recorded At – Record Plant, Los Angeles
• Mixed At – Record Plant, Los Angeles
• Mastered At – Sterling Sound
• Phonographic Copyright ℗ – Elektra/Asylum Records
• Copyright © – Elektra/Asylum Records
• Published By – Warner-Tamerlane Publishing Corp.
• Published By – Nikki Sixx Music
• Published By – Mick Mars Music
• Published By – Vince Neil Music
• Published By – Big Leaf Publishing
• Published By – Tommy Lee Music

Credits

• Acoustic Guitar – Mick Mars
• Art Direction, Design [Logo] – Bob Defrin
• Backing Vocals – Vince Neil
• Bass Guitar, Bass Guitar [Eight String], Pedalboard [Bass], Backing Vocals – Nikki Sixx
• Booking [America] – Bill Elson, ICM (2)
• Booking [Europe] – Fair Warning (8), John Jackson (18)
• Cover [Concept] – Bob Defrin, Nikki Sixx
• Crew [Security] – Fred Saunders
• Design – Bob Defrin
• Drums, Percussion, Piano, Backing Vocals – Tommy Lee
• Electric Guitar, Acoustic Guitar, Slide Guitar, Backing Vocals – Mick Mars
• Engineer [Live Sound] – "A Man Named Mark" Dowdle*
• Engineer [Second Engineer] – Alex Woltman, Brian Scheuble, Mark Wilczak, Matt Brady, Paul Wertheimer
• Harmonica – Vince Neil
• Illustration – Dave Willardson*
• Lead Vocals – Vince Neil
• Legal – David Rudich
• Lyrics By – Cub Koda (tracks: A2), Michael Lutz (tracks: A2), Sixx* (tracks: A1, A3 to B5)
• Management [Business] – Chuck Shapiro
• Management [Merchandising] – Great Southern Company, Ira Sokoloff*
• Mixed By – Duane Baron
• Music By – Cub Koda (tracks: A2), Michael Lutz (tracks: A2), Mars* (tracks: A1, B2, B5), Sixx* (tracks: A1, A3 to B5), Lee* (tracks: B2), Neil* (tracks: A1, A5 to B3)
• Photography By – Neil Zlozower
• Producer – Tom Werman
• Recorded By – Duane Baron
• Synthesizer – Nikki Sixx
• Technician [Bass And Keyboard] – Tim "Where's The Chicks" Luzzi*
• Technician [Drum And Electronic Drum] – Clyde "The Spide" Duncan*
• Tour Manager – Rich Fisher (2)

Notes

"SP" in label matrix denotes a Specialty Records Corporation pressing.

Catalog number 9 60418-1-E appears on spine, 60418-1-E on disk labels, back cover, and inner sleeve.

Recorded at Pasha, Cherokee and Record Plant West Studios and mixed at Record Plant West.

Released with an inner image/lyrics-sleeve.
Some copies include a "Certificate of Authenticity" card and Motley Crue "S.I.N. Club" membership/merchandise form.

℗ 1985 Elektra/Asylum Records for the USA and WEA International Inc. for the world outside of the United States.
© 1985 Elektra/Asylum Records.

A1 published by Warner-Tamerlane Publishing Corp/Nikki Sixx Music/Nick Mars Music/Vince Neil Music, BMI
A2 published by Big Leaf Publishing, ASCAP
A3, A4, B4 published by published by Warner-Tamerlane Publishing Corp/Nikki Sixx Music, BMI
A5 published by Warner-Tamerlane Publishing Corp/Nikki Sixx Music/Vince Neil Music/Tommy Lee Music, BMI
B1, B3 published by Warner-Tamerlane Publishing Corp/Nikki Sixx Music/Vince Neil Music, BMI
B2 published by Warner-Tamerlane Publishing Corp/Nikki Sixx Music/Nick Mars Music/Vince Neil Music/Tommy Lee Music, BMI
B5 published by Warner-Tamerlane Publishing Corp/Nick Mars Music/Nikki Sixx Music, BMI

Runouts etched, except STERLING and SRC logo stamped.

Barcode and Other Identifiers

• Barcode (Text): 0 7559-60418-1
• Barcode (Scan): 075596041812
• Rights Society (A1, A3 to B5): BMI
• Rights Society (A2): ASCAP
• Matrix / Runout (Side A label): STE-60418-1-E-A-SP
• Matrix / Runout (Side B label): STE-60418-1-E-B-SP
• Matrix / Runout (Side A variant 1): STE-60418-A-2 1-4 [SRC logo] STERLING
• Matrix / Runout (Side B variant 1): STE-60418-B-2 1-3 SM3-2 [SRC logo] STERLING
• Matrix / Runout (Side A variant 2): STE-60418-A-1 1•4 SM1-3 [SRC logo] STERLING
• Matrix / Runout (Side B variant 2): STE-60418-B2 1•2 SM1-1 [SRC logo] STERLING
• Matrix / Runout (Side A variant 3): STE-60418-A-2 1-1SM1-1 [SRC logo] STERLING
• Matrix / Runout (Side B variant 3): STE-60418-B1 1-3 [SRC logo] STERLING
• Matrix / Runout (Side A variant 4): STE-60418-A-3 1-1
• Matrix / Runout (Side B variant 4): STE-60418-B-3 1-1
• Matrix / Runout (Side A variant 5): STE-60418-A-2 1-4 [SRC logo] STERLING
• Matrix / Runout (Side B variant 5): STE-60418-B1 1-3 SM3-1 [SRC logo] STERLING
• Matrix / Runout (Side A variant 6): STE-60418-A-2 1-6 [SRC logo] STERLING
• Matrix / Runout (Side B variant 6): STE-60418-B-4 1-1 [SRC logo] STERLING
• Matrix / Runout (Side A variant 7): STE-60418-A-1 [SRC logo] +1-1 SM1-4 STERLING
• Matrix / Runout (Side B variant 7): STE-60418-B2 [SRC logo] +1-1 SM1-1 STERLING

PLEASE READ BEFORE BUYING-Thanks
All of our vinyl's have had a basic cleaning, tested and sleeved. LP's with any wavy streaks on them (Bag Rash) will need a deep cleaning to remove but bag rash doesn't effect playability. We use a None-Alcohol solution to clean to vinyl. We also wear gloves during the cleaning, testing and posting process to preserve the condition. All grading comments are visual so please refer to pics and video (if applicable) for your owe opinion on condition. We handle the new Albums with the same care.
We do combine shipping on our LP's
Grading (Modified Goldmine Standard)
Mint (M): Absolutely perfect in every way. To qualify as Mint, a record must never have been played and is possibly still sealed. Mint should be used sparingly as a grade, if at all. Note that an item can be sealed and not Mint. (I do not use this grade. If an item is still sealed, I?ll just say that.)
Near Mint (NM) Excellent (EX): Nearly perfect. Near Mint (NM) vinyl has more than likely never been played. By its appearance, one would expect no imperfections during playback. The item should show no obvious signs of wear. The cover can have very minor defects, but it should have no folds, seam splits, scratches, or other noticeable defects. The same should be true of any inserts such as posters, lyric sleeves, etc. Many dealers won't give a grade higher than NM, implying (perhaps correctly) that no item is ever truly perfect. (NM is my top grade.)
Very Good Plus (VG+): The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and affect playback minimally if at all. Surfaces may show some signs of wear, such as slight scuffs or very light (?hairline?) scratches, light bag rash and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split (less than 1/4?). In general, a VG+ record plays (nearly) perfectly and, if not for some minor aesthetic wear, it would be Near Mint. (I may use an additional + (VG++) to indicate a record exceptionally close to New Mint. A VG+ record will have no feel-able marks on it!
Very Good (VG): An items defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a songs intro and fade, but will not overpower the music. Wear may start to be noticeable, noticeable bag rash, and light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time. (I may use a - (VG-) to indicate a record very close to G+.)
Good (G), Good Plus( G+): An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. Covers or sleeves will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.
Poor (P), Fair (F): A record in this condition is cracked, badly warped, and won't play through without skipping or repeating. The cover could be cracked, water-damaged, and heavily marred by wear or writing. Cover and inner sleeves are fully split, crinkled, and written upon.