McDONALD +GILES/KING CRIMSON INSANELY RARE ORIG WHITE LABEL PROMO-ONLY MONO LP

$

104

    
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WE CURRENTLY HAVE   NEARLY 500   LISTED ITEMS

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·       McDONALD AND GILES – SELF-TITLED 1971 COTILLION ALBUM ("McDONALD & GILES") – ORIGINAL 1970 COTILLION RECORDS STEREO LP 9042

*** WHITE LABEL PROMO ***

·       *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       *** INSANELY RARE (PRACTICALLY UNKNOWN TO EXIST!) PROMOTIONAL-ONLY MONO COPY; MONO VERSION OF THIS ALBUM WAS NEVER COMMERCIALLY RELEASED IN ANY WAY OR FORM ***

·       ORIGINAL COTILLION LABEL, WHITE PROMOTIONAL VERSION

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings -- though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20 minute "Birdman" tends towards self-indulgence, while "People of Tomorrow (The Children of Today)" loses focus halfway and spends the next four minutes being a blithering -- if pretty -- musical idiot. The main attraction is really the performances turned in by McDonald and the Giles brothers -- they all sound fabulous, even when waffling musically, while Michael Giles has a unique drum tone that never has been duplicated (Giles himself abandoned the sound for his later career in Jackson Heights and as a session drummer). Peter Giles returned to the accounting trade, alas, while Ian McDonald eventually wound up as part of Foreigner, which is another tale entirely.

 (EXCERPT FROM AN ONLINE REVIEW BY STEVEN McDONALD, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.  In this case, though, this is a rather moot point,  since this rare promo-only MONO version of the album was never commercially released to begin with.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           White Label Promo-only MONO pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 200:1

(d)            The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(e)           Stock (commercially released) mono copies of this album are NOT known to exist.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+ (VG+)

The following flaws or imperfections are noted on the cover:

-        The gatefold cover has partially split seams on all four of its "legs" ; Top and bottom  seams were delicately taped by the previous owner with transparent scotch tape

-         Cover has some ring wear.  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 5   (front side) and 6 (back side).

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a few wrinkles along the seams

-         Cover has a small, rectangular, sticker residue (small yellowish discoloration from the removed price sticker)

-         Cover has some visible fraying/tattering on all three seams

-         Cover has all four corners slightly worn / dinged / bent. (nothing significant)

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         The cover has a few tiny scratch marks on both sides.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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