NICK LOWE PURE POP FOR NOW PEOPLE RARE ORIG '78 WHITE LABEL PROMO LP w/PRESS KIT
$
32
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WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· NICK LOWE – PURE POP FOR NOW PEOPLE (AMERICAN TITLE OF THE ALBUM, RELEASED IN U.K. AS 'JESUS OF COOL') – - ORIGINAL 1978 COLUMBIA RECORDS STEREO LP JC-35329
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL COLUMBIA LABEL WITH “COLUMBIA” LETTERS WRAPPED AROUND THE RIM OF THE LABEL (70’s STYLE), WHITE PROMOTIONAL VERSION
· THIS PROMOTIONAL RELEASE INCLUDES THE ULTRA-RARE 4-PIECE PROMO-ONLY PRESS KIT CONSISTING OF:
1- 4-PAGE TYPEWRITTEN LETTER OF INTRODUCTION FROM COLUMBIA RECORDS AND ON COLUMBIA'S UNIQUE STATIONARY
2- ONE (1) 7 X 10" BLACK & WHITE GLOSSY PUBLICITY PHOTO OF NICK LOWE
3- OVERSIZED FOLDED REPLICA OF NICK LOWE MELODY MAKER INTERVIEW ON PINK PAPER
4- SMALL, FOLDABLE (ALMOST WALLET-SIZED) MINI-BIO OF NICK LOWE WITH HIS B&W PHOTO ON ONE SIDE
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and 10 being the thickest), we assess the thickness of the vinyl as 6.
· CLEAN, WEAR-FREE LABELS
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1D'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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On the cover of his solo debut album, Jesus of Cool (in the U.K.; in the U.S., the album was called Pure Pop for Now People), Nick Lowe is pictured in five rock & roll get-ups (general consensus puts Dave Edmunds on the album cover at center bottom) -- hippie, folkie, greasy rock & roller, new wave hipster -- giving the not-so-subtle implication that this guy can do anything. Nick proves that assumption correct on Jesus of Cool, a record so good it was named twice, as Lowe's American record label got the jitters with Jesus and renamed it Pure Pop for Now People, shuffling the track listing (but not swapping songs) in the process. As it happens, both titles are accurate, but while the U.K. title sounds cooler, capturing Lowe's cheerfully blasphemous rock & roll swagger, Pure Pop describes the sound of the album, functioning as a sincere description of the music while conveying the wicked, knowing humor that drives it. This is pop about pop, a record filled with songs that tweak or spin conventions, or are about the industry. Only a writer with a long, hard battle with the biz in his past could write "Music for Money" and much of Jesus of Cool does feel like a long-delayed reaction to the disastrous American debut of Brinsley Schwarz, where the band's grand plans at kick-starting their career came crumbling down and pushed them into the pubs. Once there, the Brinsleys spearheaded the back-to-basics pub rock movement in England and as the years rolled on the band got loose, as did Lowe's writing, which got catchier and funnier on the group's last two albums, Nervous on the Road and New Favourites of Brinsley Schwarz.
In retrospect, it's possible to hear him inch toward the powerful pop of Jesus of Cool on the Dave Edmunds-produced New Favourites, plus the handful of singles the group cut toward the end of their career -- it's not far cry from the Brinsleys' stomping cover of Tommy Roe's "Everybody" to the shake and pop of Jesus -- but even with this knowledge in hand, Jesus of Cool still sounds like an unexpected explosion as it bursts forth with blindingly bright colors and a cavalcade of giddy pure sound. Lowe is letting his id run wild: he's dispensed with any remnants of good taste -- well, apart from the gorgeous "Tonight," the only time the album dips into ballads -- and indulged in a second adolescence, bashing out three-chord rockers and cracking jokes with both his words and music. This reckless rock and pop works not just because the tracks crackle with excitement -- not for nothing did Nick earn the name "Basher" in this period; he cut quickly and moved on, the performances sounding infectious and addictive -- but because it's written with the skill that Lowe developed in the Brinsleys. He knows how to twist words around, knows how to mine black humor in "Marie Provost," knows how to splice "Nutted by Reality" into a brilliant McCartney parody, knows how to pull off the old Chuck Berry trick of spinning a tune into two songs, as he turns "Shake and Pop" into the faster, wilder "They Called It Rock." That latter bit picks up a key bit about Jesus of Cool -- it's self-referential pop that loves the past but doesn't treat it as sacred. It is the first post-modern pop record in how it plays as it builds upon tradition and how it's all tied together by Lowe's irrepressible irreverence. It's hard to imagine any of the power pop of the next three decades without it, and while plenty have tried, nobody has made a better pure pop record than this...not even Nick (of course, he didn't really try to make another record like this, either).
(EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
Among the promotional releases, those that come with publicity kits (various packages comprising of photo inserts, letters of introduction from the label; typewritten biographies and/or discographies, decals, badges and alike) are generally recognized as the earliest, and most important specimens of a given title; with some commanding astronomic prices on collectors’ market.
For additional historical information on this album, including track listing ►CLICK HERE
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 100:1.
(d) The album comes with the original 4-piece promo press kit (please see above for details)
(e) The record comes in its original, custom, inner sleeve, which is UNIQUE to this album.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 2 (back side)
- Cover has a visible wrinkle (crease) in the cardboard base on the back panel (a minor cover construction flaw)
- Visible shelf wear noted on the seams
- Cover has two corners slightly worn / dinged (nothing significant)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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