ON RECORD, 1981 Rare Experimental C.C.G. / C.A.G.E. w/ Insert John Bender, more
$
80
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Description
Condition: To my non US customers. Do not ask me to falsify or alter customs forms values of your items. I will not do so.
On Record
Label: C.C.G. Records ?– none, C.A.G.E. Records ?– none Format: Vinyl, LP, CompilationCountry: US Released: 1981 Genre: Classical, Electronic Style: Experimental
TracklistHide Credits
A1 –Gerhard Samuel Circles Percussion – Percussion Group, The A2 –David Landes Drucker Elegy For Cello And Piano Cello – Johnathan Pegis*Piano – David Landes Drucker A3 –Martin Sweidel Split Shot Study No. 1 Guitar [Prepared] – Martin Sweidel A4 –Henry Gwiazda Say Watt ? Electric Guitar – Henry Gwiazda B1 –Jay Bolotin Serpent Sun B2 –Jan Harrison Animal Tounge B3 –Thom Middlebrook Five Guidelines For An Emotional Breakdown B4 –Kip Eagen The Tinkers Trouble B5 –Hudson (3) / Buzz Tone Outlet Love Answered Phone B6 –John Bender Decomposition B7 –Art Holes Experimental Animals Performer – J. Wood, N. Mountel, P. Alaxander, R. Trupin B8 –Victoria Mansoor Two Hours Playing TimeCredits
- Composed By – David Landes Drucker (tracks: A2), Gerhard Samuel (tracks: A1), Henry Gwiazda(tracks: A4), Martin Sweidel (tracks: A3)
Notes
This package and it's contents, one 12", 33 1/3 rpm record, is the result of a collaboration between the Cincinnati Composers' Guild(C.C.G.) and Cincinnati Artists' Group Effort(C.A.G.E.). It consists of four "new music" compositions, six artist audio-works, two rock songs and one drawn record.This project has been made possible with the support of the Fine Arts Fund/Projects Pool and the Carolyn Schneebeck Gallery.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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