OZRIC TENTACLES-ERPLAND PSYCH SPACE PROG VINYL LP M-

$

71

Ozric Tentacles-Erpland-Original 1990 Dovetail Records

• Vinyl      M-
• Jacket   M- (Gatefold) 
• Sleeve   Original
• Label     Dovetail Dov LP1
• Year       1990
• Original  Yes

If you're a fan of the New Progressive trend you should know the Ozric Tentacles quite well. For those not "in the field" let me briefly explain which kind of Music the Ozric Tentacles create.
I hope you're familiar with the Seventies progressive rock musical genre (Gong, Yes, Genesis, E.L.P. etc.). If yes, add some space-age Music, noise samples, a mixture of synths and acoustic instruments, some deep influence from Asiatic music and you'll get close to the Ozric Tentacles technicolor musical universe!
Their Music is mostly instrumental, strongly rhythmic, with electric bass, drums and ethnic percussions playing a key role among guitar and synth jammings.

Erpland is, perhaps, their most ambitious work, originally released on a double LP in 1990, then on CD by Dovetail (their own label) and finally (excellently) remastered by Snapper Music in 1998. The longish 12 tracks (for a total playing time of 73 minutes!) lead you into the middle of nowhere, drown by strongly hypnotic psychedelic musical patterns. I'd call "Erpland" a truly mystical experience, if I may.
Ed Wynnie, guitarist extraordinaire and gifted synths player have written most of the tracks.

From a technical/audiophile point of view, this album is really interesting because of the weird mixture of fully electronic sounds and acoustic instruments (flutes, tambourines, ethnic percussions...). The quality of the production (by Ed Wynnie himself) is very high and some tracks are highly demanding in terms of micro- and macro-dynamics.
The rhythmic patterns are a minefield for any loudspeaker and amplifier, especially if you play the album LOUD, as it should be. "Toltec Spring", for example, opens up with a pleasant and relaxing "noise" of sheep roaming across a pastureland. This bucolic pattern remains in the background while drums and percussions help to create the musical pattern for the entire track. As the track becomes more and more "intricate" one should still be able to distinctly detect the pastoral background noise. Since the percussion section is extremely powerful and energy demanding (attacks should be razor sharp here!!!) the speakers and the amplifier may be unable to follow the delicate background noise.
At the same time, the wide soundstage should never collapse, even at very high listening levels.
If you want an entertaining test for the ability of your system to keep up with the right musical tempo look no further than track 11 ("Iscence"). A reggae tempo with an extremely groovy and hypnotic electric bass pattern will shake the walls and make you stand up and dance. Play it as loud as you can: distortion levels are extremely low, so it's up to your system to not introduce distortion because of the high-energy demand.
A good test for the dynamic capabilities of your system is also the first track "Eternal wheel", a special blend of space-age rock with highly distorted electric guitars and thumping bass lines.

Roughly speaking, the whole album is a "trip" into sound, a kaleidoscope of emotions and vibrations that your Hi-Fi system MUST be able to reproduce with precision, harmonic richness and sheer energy. When one listens to the 3D atmosphere that this album can create, all the hype around multi-channel becomes more and more ...nonsense.
A good 2-channel recording is all we need.

Conclusion

Ozric Tentacles are, among the progressive crowd, a real cult band. ANY Music lover can enjoy their peculiar sound, though. If you're after a good "trip" with your stereo system, do not miss this unusual progressive masterpiece.

Should you require additional information or clarification ask prior to bidding.

My records are graded by traditional Goldmine standards. I don't sell records with a grading of less than VG unless it is obscenely rare in any condition.

Most of my records will grade from VG+ to M- with a conservative approach that dictates a borderline record will receive a lower grading rather than a "push" higher. 

M- / Visually without blemishes save for very minor lines or scuffs that are most likely attributable to sleeve marks, Sonically with no or virtually no sound other than that of the recording itself (no pops,crackles, ticks or hissing).

VG+ / More obvious visual signs of imperfections, pressing imperfections (bubbles for example, that do not impact play quality) light "skid" marks that can be seen but not "felt", some perceptable noise between tracks or at lead in, general sound  quality during play is uncompromised.

VG / Recording is visually and sonically of high quality, without skips or excessive noise during playback.

In some extreme instances I will submit a grading of R.M.F. (which means Rare Musical Find) to advise it is something special to consider.

Vinyl and Jackets are graded within these same general guidlines.

All specific areas of concern are noted to the best of my ability.

I try to insure all records are play graded (which I believe most collectors rate the higher priority) by spot checking areas that may be questionable and generally checking for quality overall.

I may make errors in grading and if it should occur I will make every effort to ensure you are completely satisfied with your purchase.

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