PACHECO "LATIN JAM" FANIA#328 GOLD ('65): ORIG HEAR
  $   45

 


$ 45 Sold For
Sep 10, 2010 Sold Date
Sep 4, 2010 Start Date
$   13 Start price
1 Number Of Bids
  USA Country Of Seller
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Description



ARTIST : JOHNNY PACHECO AND SOME "MASTERS" see below TITLE : PACHECO...HIS FLUTE AND LATIN JAM LABEL & RECORD #: FANIA #328 (1965) VINYL CONDITION: HEAR !! : VG++ to NM (MOST!) There is 1 track "Yembere" (included in the sound clips!) that has a few minimal clicks, nothing great, no skips! OVERALL GREAT! LABELS CONDITIONS: SEE SCAN : SIDE B is NM, Side A is VG++++

COVER CONDITION : VG++...... : Some of the original classics I just found were in excellent (VG+++/NM like this one) but some covers were found"glued" together and some damage to the front and/or back cover occureed (the years & humidity)...not protected well by the original owner....

This one has just a line of humidity on the back (bottom)....No Splits, Front almost NM! SEE SCAN!

REMARKS: SUPER HARD TO FIND...

JOHNNY PACHECO & FANIA…..With Jerry Masucci (a lawyer who'd handled his divorce) he formed Fania label '64, which dominated the Latin record scene for two decades by bringing along promising young artists rather than poaching acts from other labels: Larry Harlow, Bobby Valentin, Joe Bataan, many others became stars on Fania, with Pacheco as recording director on early releases. In '64 he was one of the first NY bandleaders to drop the violins/flute charanga format and adopt the pure Cuban conjunto of vocals, trumpets and rhythm section, naming his band Nuevo Tumbao (New Rhythm); some said his purist sound was imitative, but it reflected the joy of Cuban roots. Conjunto LPs launched Fania with Cañonazo '64 (its catalogue number 325 derived from Pacheco's date of birth), Pacheco At The New World's Fair '64 and Pacheco te Invita a Bailar c'65; the last had lead singers Monguito 'El Unico' and Chivirico Davila (1924--94) instead of El Conde; they took part in Viva Africa c'66, celebrating Pacheco's popularity in West Africa; Monguito went on to pursue a solo career (see his entry). Pacheco His Flute And Latin Jam '65 on Fania was studio charanga jazz jam session incl. Silva on sax, Pupi Legarreta, Rogers, Valentin, singer Carlos 'Caito' Diaz from Sonora Matancera, Orestes Vilato on timbales, Osvaldo 'Chi Hua Hua' Martinez on guiro. HIGHLY RECOMMENDED!

NOT A CHEAP REISSUE !....ORIGINAL 1970 PRESSING!

TRACKS SIDE A:

1. Sugar Frost (Azucare): 5:55

2. Tinguaro: 7:23

3. Latin Gravy: 2:45
 

TRACKS SIDE B:

1. Noche Buena: 5:12

2. Yembere: 4:05

3. Así Son Boncó: 6:40

 

PERSONNEL: (GREATTTTT!!!!!!!!)

Producido por John S. Magac

Johnny Pacheco, director, flauta, voz

Lino Frías: piano

Bobby Rodríguez: bajo

Barry Rogers: trombón

Puchi Boulong: trompeta

Bobby Valentín: trompeta

José Chombo Silva: saxo

Pupi Legarreta: violín

Orestes Vilató: timbales

Patato Valdés: congas

Ralph Marzán: bongó

Osvaldo Chihuahua Martínez: güiro

Caíto Díaz: voz

Ed Leonardo: voz

 

WEB REMARKS: NO LATIN COLLECTION CAN MISS THIS ONE!!!

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If Buying More Than 3 Records We Will Inform You The Shipping & Handling....We do combine shipping for multiple purchases.
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* We offer a money back + shipping costs guarantee on our records (unless otherwise noted) if you feel the LP was not graded properly (in Grading “disputes” Return Shipping Not Included). We will issue a full refund upon its return, once our mistake has been verified.

You must contact us within 2 days of receiving item to qualify for a refund.

Item must be returned within 3 days.

Item must be returned in same condition as it was received.

Money will be refunded through PayPal.

 

Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other)  and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!

RECORD OR COVER GRADED VG or LESS WILL BE
"SOLD AS IS"

MINT: Unplayed, still sealed.
 

NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM COVERS:

have no creases, ring wear or seam splits of any kind.

Picture Sleeves: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.  

VG++ (Excellent) RECORDS: 
Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS:
Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.  

VG+ RECORDS:

may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ COVERS:
should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VG+ PICTURE SLEEVES:
might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location. 

 

VG RECORDS:

They have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches  may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes   will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

 

VG COVERS and PICTURE SLEEVES:
will have many signs of human handling. Ring wear  in the middle or along the edges of the cover where the edge of a record would  reside, is obvious, though not overwhelming. Some more creases might be  visible. Seam splitting will be more obvious; it may appear on all three sides,  though it won’t be obvious upon looking. Someone might have written or stamped  a price tag on it, too.

 

RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS" 

Items are to be paid within 5 days (if not paid by that time it will be subject for relisting) of auction close and will be shipped within 48 hours of receipt of payment. Paypal is the preferred method of payment.
 
Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL  34639






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