PACHECO Y SU NUEVO TUMBAO "CAÑONAZO" LP 325 (1964) 1st FANIA GOLD LABEL NM/NM
$
34
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Description
Dive into the rich beats of Cuban music with Johnny Pacheco y Su Nuevo Tumbao's "Mi Nuevo Tumbao Cañonazo," a seminal LP that showcases the essence of early salsa and montuno styles. Released in 1964, this record stands as a testament to the golden era of Latin music, featuring the vocal prowess of Pete Rodriguez. This 12" vinyl, pressed in the United States, is a treasure for audiophiles and collectors alike, presented on the iconic Fania gold label. The LP, still housed in its original cardboard sleeve, is graded as Near Mint, ensuring an auditory experience that is as crisp as it is authentic. Whether you're a connoisseur of classic Latin rhythms or a vinyl enthusiast, this record promises to be a noteworthy addition to your collection.
El Gran Pacheco* Canta: Pete Rodriguez – Mi Nuevo Tumbao..... Cañonazo
Label: Fania Records – LP 325 (Gold Label)
WHAT A SURPRISE!! ACQUIRED FROM A COLLECTOR…ALL NM!! FANIA’S FIRST ALBUM…I PROVIDE AN ORIGINAL VINTAGE FANIA INNER (JUST A ½” DENT ON TOP!) AND A NEW PLAIN WHITE SLEEVE!
WARNING: THERE IS A NEW REISSUE FROM CRAFT RECORDS (60TH ANNIVERSARY) WHICH HAS THE BACK COVER WITH ADDED TEXT AND MISSING TEXT,,,,SEE PHOTOS!! BESIDES THEY USED THE CLOUDS LABEL
Format: Vinyl, LP, Album (HEAVY VINYL AND DEEP GROOVE)
Country: US
Released: 1964
Genre: Latin
Style: Salsa, Montuno
A1 Cañonazo
A2 Como Mango
A3 Pinareño
A4 Cabio Sile
A5 Campeon
B1 El Kikiriki
B2 Labrando La Tierra
B3 Fania
B4 Yo Soy Guajiro
B5 El Pregonero
B6 Dakar, Punto Final
Design, Cover – Frank Lerner
Lead Vocals – Pete Rodriguez
Photography – Louis
Sleeve Notes – Rhony Sanchez
Gold label
Matrix / Runout (Side A, runout, etched): F 325-A
Matrix / Runout (Side B, runout, etched): F 325-B
By 1963 PACHECO WAS RECORDING ON THE ALEGRE LABEL BEFORE, however, Pacheco was in search of a new home for his recordings. But rather than sign with the Alegre label, he decided to form his own. Co-founded with lawyer Jerry Masucci, Fania Records not only offered Pacheco full creative control over his work, but also allowed him to champion his fellow Latin artists, including Willie Colón, Héctor Lavoe, Rubén Blades, Cheo Feliciano, Celia Cruz, Ray Barretto, and many others. Before long, Fania would become one of the world’s most successful and influential Latin music labels.
It was only fitting that Fania’s first album was by Pacheco himself. Released in 1964, Cañonazo ushed in a new era for the bandleader, who reorganized his popular group into a conjunto—replacing violins with trumpets and renaming the outfit Pacheco y su Nuevo Tumbao (the word Tumbao translates into any number of meanings, including style, rhythm, and attitude—all of which feel appropriate to mark the artist’s new creative journey). The album also marked Pacheco’s first of many outings with vocalist Pete “El Conde” Rodriguez, a relative newcomer at the time, who would become a major star in the scene.
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