PETER GREEN'S FLEETWOOD MAC RARE ORIG UK 1968 BLUE HORIZON EX++ LP. SUPERB SOUND
£
125
$
166
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Description
ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.
Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.
Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.
ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.
FINALLY: Late payers will now be blocked at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.
Artist or Band: FLEETWOOD MAC
Album Title: Peter Green’s Fleetwood Mac.
Producer(s): Mike Vernon.
TRACK LIST:
Side 1: My Heart Beat Like a Hammer; Merry-Go-Round; Long Grey Mare; Hellhound on My Trail; Shake Your Moneymaker; Looking for Somebody.
Side 2: No Place to Go; My Baby's Good to Me; I Loved Another Woman; Cold Black Night; The World Keep On Turning; Got to Move.
Label/Format: Blue Horizon – original matt blue format with textured surfaces. Later ones had a more smooth finish.
Label Conditions: Both in stunning conditions that simply defy their great age, as does the entire album itself. Ultra clean, fresh and highly attractive with beautiful first textured surfaces. I am struggling to find any spindle traces at all – maybe one on side one as seen with a magnifying glass.. Put this into true perspective: this is a 46+-year-old mono record, and one of the famous and popular on this most collectable specialist blues label. Few will survive quite like this, both record and inner are practically factory-fresh with sound to match. A genuine connoisseur-quality example of this legendary album.
Cat Number: 7-63200.
Mode / Speed: Mono / 33.3 rpm.
Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.
Weight of this Record: 127 grams. An average solid weight for any record.
Country of Manufacture: England.
Rarity: Scarce: first mono copies of this record in such condition are rarely seen or offered – and they will rarely get seen or heard better than this.
Original Year of Release: 1968
Matrix Nos: 7-63200 A1 / 7-63200 B1. The stampers appear to be A1 / A3, these seldom clear on CBS records and are my best interpretation.
Musicians: Peter Green - vocals, guitar; Jeremy Spencer - vocals, guitar; John McVie - bass; Mick Fleetwood - drums. Bob Brunning played bass on ‘Long Grey Mare’.
Brief Info: The self-titled debut album from the legendary blues-era Fleetwood Mac from 1968. With the equally famous dog and dustbin cover artwork, this vintage album sounds nothing like the commercial AOR band that sold millions of albums in the latter 1970s and beyond. Fronted by Peter Green and Jeremy Spencer, vocals are shared by both. This was real British blues and on one of the most famous and prestigous labels of the genre. It proved successful too peaking at No 4 in the UK charts even though it had no singles included. A supreme very early mono copy and it plays beautifully with clean, distortion-free sound. This is a diamond for any blues fan and collector and could prove a significant, if not massive upgrade for many. I have seen some top copies of this before, but I believe this one even surpasses all others to date – this is an extraordinary example that truly does come close to reminding of new.
Cover Grade and Format: EXCELLENT(++): a single format with the front laminated, this wraps around the top and bottom edges into the inside and not on to the back. The spine is not laminated, hence vulnerable and fragile. Printed and made in England by Ernest J. Day & Co Ltd and includes the ‘Patent Pending’ text.
Lamination & Front: The laminate looks clean, shiny, fresh and very clear with minimal traces of friction rubs or dulling, even under angled light. A fine rim impression dull is seen near the top edge only under light, that rarely can be avoided on a cover this great age. There is no lifting and any of the few surfaces creases, fine and faint, barely even showing with normal full-on viewing. Even the unprotected fine strips on the natural laminate ends right and left sides have no issues. That famous ‘Dog & Dustbin’ graphic will rarely be seen looking better on an original mono cover.
Cover Back: If the front is impressive, the back is little short of exceptional. Very wear-prone indeed being matt black finished, this is susceptible to fingermarks, rubbing and especially ringwear of which this has avoided. Any handling traces are tiny and faint and this has avoided any creasing. A very small hint of a rub on the central top edge, but I am 99% certain this is a tiny printing blemish and not even a rub at all – it is being ultra critical to even mention such trivia on such an outstanding back at all. This really does retain an incredible freshness and deep blackness, an absolute beauty and this side especially will prove immensely difficult to match or find better.
Top Edge: Pristine: made very thin and still ultra straight with no wear at all.
Bottom Edge: Smooth and straight with no wear whatsoever, both these edges are exceptional and will rarely be seen as such.
Right Edge(s), and Type: Clean, quite sharp, the back which is trimmed a fraction shorter than the front in manufacture, very sharp. The front leading edge has a there merest hint thickening and minor burring seen viewed end-on. Record enters on this edge which is guaranteed untrimmed or enhanced in any way. Few will ever be found better when left totally natural.
Spine and Text: Exceptional: the spine has no laminate protection but still in superb condition. Solid, still mainly straight, uncompressed with the text centred a little low on a very narrow depth, and importantly, all is PRISTINE. Yes, as can be seen on my close-up areas of the spine, all text is as made. I have rarely seen this before on this cover, most spines like this are seen badly rubbed, devoid of text, even threadbare, they hardly get much better. It is this type of detail that makes the difference between average and exceptional.
Corners: All the corners are immaculate, practically as made with knocks, dinks or creases. Unrubbed and looking practically as-made with nigh-on perfect crisp shape retained.
Cover Summary: A hugely impressive all-round example of this famous late 1960’s cover, this is approaching connoisseur territory and again, it could prove a major upgrade for many. One to please most collectors, these are seldom seen as such.
The Inner Sleeve: EXCELLENT(+): a heavy-duty polylined plain white inner. Very gently aged with the usual seam adhesive darkening and a tiny reference number on the top right corner area. Two ultra crisp and undamaged window circles and super-clear lining. Barely any creasing and all edges unsplit with no repairs.
Vinyl Condition/Visual Grading: EXCELLENT(++) / MINT(–): a superb visual copy that is very clean with lovely shine, intense black and solidly pressed. One very fine surface mark on side one with NO sound whatsoever. Under bright angled light, any surface traces minuscule. I have rarely seen a mono record look better or less used. Visually a sublime record that should please most-all collectors.
Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]
Sound Quality and Audio Grading: This landmark blues record that introduced the world to this legendary band plays up to, and above it’s visual grading with barely anything to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high with a wide dynamic range and very detailed sound. My first listen to a mono copy of this for some time time, but well worthy of the wait. Excellent production and impressive clean sound makes for the most pleasurable experience, it delivers the music quite differently to the stereo version of course. Any surface sounds barely even registered on this beautifully preserved record, the mono presentation of the music truly outstanding. A more punchy, dynamic presentation from mono. A clean pressing with no manufacture issues and tracking effortless. Mono classics of this vintage are seldom seen cleaner and sound better, this too played on clinical stereo equipment for which this was not really designed for. But when found like this, they are pieces of genuine beauty, most ruined by heavy usage on heavy tracking Dansettes and the like. In vinyl terms, this looks hardly even run-in and finding this better will prove immensely challenging. A blues masterpiece in fantastic condition, like the cover, the record would almost certainly prove a significant upgrade for many. Do not lose this one – unreserved recommendation.
Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Blue moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Tellurium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.
PACKING - THIS IS WHAT YOU GET.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.
NOTE: First Time Bidders: Please ask me first.
PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.