PETER KOWALD Duos Europa America Japan Diamanda Galas CLEAR vinyl 3 x LP box set
  $   220

 


$ 220 Sold For
Dec 16, 2025 Sold Date
Jun 3, 2023 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

PETER KOWALD

Duos: Europa · America · Japan

German import limited edition CLEAR Vinyl 3 LP box set. FMP/Be! Jazz BE 6150-52. Stereo, remastered 2019 reissue, includes 2 inserts. COVER: VG++. VINYL: strong VG++ to NM- one light non-feelable surface scratch on Side 1, track 1 of the America Duos disc, pressed on CLEAR vinyl.

Limited edition of 200 copies on clear vinyl.

Remastered DMM vinyl cut, restored artwork & hi-grade printing.

Comes with one 4-page insert and one FMP/Be! Jazz insert.
Fully licensed by FMP Records/FMP-Publishing for BE! Jazz

 DUOS: EUROPA, AMERICA, JAPAN is a must for any fan of creative, improvised music. Spanning the globe and various approaches to music making, it's an embarrassment of riches. It features legendary bassist PETER KOWALD playing with important figures ranging from Diamanda Galas to Derek Bailey to Tom Cora to Julius Hemphill. This expansive set - spread over three LPs - works beautifully as a Kowald mixtape, a unified album, and an engaging primer of essential musical trends.

A massive document of a really incredible project -- a set of key duo improvisations that bassist Peter Kowald created with some of the leading free jazz musicians around the world -- recordings that came relatively late in the legacy of the FMP jazz label, but which are very much in the best tradition of its mission! Kowald's talents were part of many classic FMP sets before this one -- but the package really allows him to rise up and shine in the spotlight -- through amazing duo improvisations recorded in Berlin, New York, Tokyo, and a few other global locations -- with partners in a varied line up that includes Derek Bailey on guitar, Han Bennink on drums, Tom Cora on cello, Diamanda Galas on voice, Evan Parker on reeds, Joelle Leandre on bass, Andrew Cyrille on drums, Peter Brotzmann on tenor, Akira Sakata on alto, Toshinori Kondo on trumpet, Jeanne Lee on voice, Conrad Bauer on trombone, Fred Frith on guitar, Marilyn Mazur on percussion, and many other key musicians of the time -- almost as if Kowald is trying to tie together the entire world of improvisation, while also demonstrating his wonderfully adaptive talents. Very limited box set presentation -- divided up into an LP each of performances from Europe, America, and Japan!  

"The level of exchange he was able to achieve in this context remains extremely inspiring. An excellent entry-level disc for the newcomer and a highly pleasurable addition to the free improvisation enthusiast's collection." -- All Music Guide

"A gem of both performance and programming.... Kowald converses fluently with his peers, but essentially lets them do what they do best." -- CODA (on DUOS)

PETER KOWALD (bass)

*** (PLEASE SEE FRONT COVER PICTURE FOR COMPLETE PERSONNEL) ***

Tracks:
A1 recorded on February 1, 1989 in Athens
A2 recorded on July 10, 1988 in Berlin
A3 recorded on June 29, 1986 in Berlin
A4 recorded on September 29, 1988 in Copenhagen
A5 & B2 recorded on December 14, 1986 in Berlin
B1 recorded on August 16, 1987 in Berlin
B3 recorded on July 9, 1988 in Berlin
B4 recorded on August 12, 1989 in Berlin
B5, C5, D2 & D4 recorded on March 30, 1986 in New York
C1 recorded on March 12, 1986 in Berlin
C2, D3 & F2 recorded on March 31, 1986 in Brooklyn, NY
C3 recorded on April 11, 1988 in Washington DC
C4, E2 to E5 recorded on October 23, 1986 in Tokyo
D1 recorded on December 16, 1989 in Wuppertal
D5 recorded on June 30, 1990 in Berlin
E1 & F3 recorded on December 11, 1986 in Tokyo
F1 & F5 recorded on October 7, 1986 in Tokyo
F4 recorded on February 16, 1984 in Berlin


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RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED.
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VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.


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***BUYER PAYS FOR ALL RETURN SHIPPING FEES.***

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