* PHILIPS - PHS-900-000 - LISZT - PIANO CONCERTOS - KONDRASHIN -RICHTER - 35mm *
  €   29
  $   34

 


€ 29 Sold For
Nov 14, 2016 Sold Date
1 Number Of Bids
  Germany Country Of Seller
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Description

   

 

PHILIPS

PHS-900 000

180 grams reissue

1 LP  - 180 grams

MERCURY - 35mm film recording




                                                                                               

 



 

 

FRANZ  LISZT
 * Piano Concertos no.1 and no.2 *  O


Ein Pianist, der sich an das große Klavierwerk von Liszt heran wagt, muss über herausragende Fähigkeiten in vielen Disziplinen verfügen. Zu der unabdingbaren technischen Souveränität für das Umsetzen der schwierigen Partitur und der physischen Energie, um gegen das heftig anstürmende Orchester aufbegehren zu können, braucht es ausgeprägte Sensorik für ungewöhnliche Formkonzepte und sanfte Energie und Leidenschaft für den Gesang auf Tasten. Bei Sviatoslav Richter schien am Anfang der 60er Jahre das freie Spiel dieser Kräfte in idealem Gleichgewicht zu stehen. Mit jugendlicher Energie schleudert er dem trotzigen Motto des ersten Konzerts die mächtigen Klavierakkorde entgegen, leistet Widerstand, um später in den sanglichen Sog des Orchesters einzustimmen. Diese heroische Leuchtkraft tauscht Richter im Schwesterwerk zunächst gegen elegischen Gestus, um dann als kapriziös-verschmitzter Partner mit feingliedrigen Arpeggios und lyrischer vollgriffiger Melodik das Satzgeschehen zu befeuern. Das Ziehen und Zerren verdrillt sich im Finale zu einem emphatischen Strang aus schwungvoller Thematik, bravurösen Kadenzspiels und orchestralem Brausen.
Für den bestechenden Klang sorgte das Mercury-Aufnahme-Team, das mit Herz und Hand die Technik steuerte.

Aufnahme: Juli 1961 in der Walthamstow Assembly Hall, London, von C.R. Fine
Produktion: Harold Lawrence



Any pianist who tackles Franz Liszt’s great works must possess outstanding skills in many areas. Technical prowess is absolutely necessary to play the extremely difficult score, as is immense physical energy in order to compete with the hefty onslaughts from the orchestra. But a great awareness of the unusual conceptual forms, refined energy and passion are also required to make the keyboard sing. At the beginning of the Sixties Sviatoslav Richter seemed to possess all these attributes in an ideal equilibrium. With youthful energy he catapulted powerful chords against the First Concerto’s defiant theme in the orchestra, offering resistance only to join in later with the lyrical maelstrom of the orchestra. In the Second Concerto Richter exchanges heroic brilliance for an elegiac air, then becomes capricious with graceful arpeggios and a lyrical, firm melodiousness that fires the course of the work. In the Finale these twists and turns come together to form an emphatic single strand of spirited theme, brilliant cadenza and blustering orchestra.
The impressive sound was captured by the highly dedicated Mercury recording team.

Recording: July 1961 at Walthamstow Assembly Hall, London, by C.R. Fine
Production: Harold Lawrence



Franz Liszt: Concertos for Piano and Orchestra Nos. 1 & 2

Sviatoslav Richter and the London Symphony Orchestra conducted by Kyril Kondrashin



  Wir freuen uns auf Ihre Anfragen! We appreciate your inquiries!




Harry Langer

phone :  +49 6128 72885

e-mail : info@blackpearls-online.com



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