POPOL VUH Einsjäger & Siebenjäger LP PDU RECORDS 1975 ITA orig+quadr Pdl.SQ 6013
€
48
$
56
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Description
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POPOL VUH
Experimental band craft mind-expanding ambient Moog pieces supported by tribal percussion that mimicked Indian ragas.
Of the many now-legendary artists to emerge from the Krautrock movement, few anticipated the rise of modern electronic music with the same prescience as Popol Vuh -- the first German band to employ a Moog synthesizer, their work not only anticipated the emergence of ambient, but also proved pioneering in its absorption of worldbeat textures.
"EINSJAEGER & SIEBENJAEGER"
Produced by Popol Vuh
1975 LP PDU RECORDS Pld. SQ 6013 Quadro Stereo Mono
MADE IN ITALY ORIGINAL PRESSING
FULLY LAMINATED SINGLE COVER
Quadraphonic/Stereo/Mono version
Barcode and Other Identifiers
Barcode: none
LABEL: PDU - BLACK LABEL - SILVER TEXT
Catalog on cover: Pld. SQ 6013
Catalog on labels: (on Side B only) Pld. SQ. 6013 (P. 025413) / (P. 025414)
Matrix / Runout (Side A): P-025413 - 20-12-74 I TZ
Matrix / Runout (Side B): P-025414 - 20-12-74 I TZ
On labels: (Side A only) Die Kosmischen Kuriere
(Side B only): rim text reads "-Riservati tutti i diritti..........Fabbricato e distribuito dalla EMI Italiana S.p.A. -Made in Italy-"
A Cosmic Couriers Production (printed twice)
S.I.A.E.(boxed) PDU
QUADRO-STEREO-SQ
? 1974
Rights Society: S.I.A.E. (printed and stamped on Side B)
On Back Cover: Produced for Cosmic Couriers by Popol Vuh at Bavaria Tonstudio, Munich, May 1974
Distrib. EMI made in Italy
tracklisting
Side A: KLEINER KRIEGER - KING MINOS - MMORGENGRUB - WUERFELSPIEL - GUTES LAND
Side B: EINSJAEGER & SIEBENJAGER
grading
RECORD VG+ but (please, read above description)
SLEEVE VG+ but (please, see pictures and read above description)
Released in 1974, Einsjäger & Siebenjäger (Earth & Sky) is a further rock entrenchment for Popol Vuh. Florian Fricke's piano is more percussively present with its runs and large chord voicings rippling throughout each composition. In addition, Daniel Fichelscher's electric guitar picks up where Conny Veit's left off, taking the bluesy space rock solo style into new territory by incorporating Eastern scales into the main body of his blues phrasing. There are five short compositions on the first side, which merely prepare the listener for the mind-blowing title cut, which takes up the entirety of side two. Here, in addition to the swirling organic percussion and pianism of Fricke and the loping, often singing guitar lines that repeat hypnotically with rock & roll tension, the vocals of the amazing Djong Yun become the catalyst for the other musicians to spiral off into extended improvisations. This is certainly one of the most beautiful albums Popol Vuh issued in the 1970s, and remains a watermark for their trademark of melding beauty and free-flowing composition...(AllMusic)
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