Prince ?– Sign "O" The Times

Tracklist

Companies, etc.

• Phonographic Copyright (p) – Warner Bros. Records
• Copyright (c) – Paisley Park Records
• Copyright (c) – Controversy Music
• Made By – WEA Musik GmbH
• Pressed By – Record Service Alsdorf
• Published By – Warner Bros. Music Ltd.
• Recorded At – Paisley Park Studios
• Recorded At – Sunset Sound
• Recorded At – Dierks Studio Mobile Trucks
• Mixed At – Paisley Park Studios
• Mixed At – Sunset Sound
• Mixed At – Dierks Studio Mobile Trucks
• Lacquer Cut At – Allied Record Company

Credits

• Arranged By [Strings] – Claire Fischer* (tracks: B3)
• Arranged By, Composed By, Performer, Producer – Prince
• Art Direction – Laura LiPuma
• Drums – Sheila E. (tracks: C1)
• Engineer – Coke Johnson, Prince, Susan Rogers
• Guitar – Wendy* (tracks: B3)
• Lead Guitar – Mico Weaver (tracks: D2)
• Lead Vocals – Camille (3) (tracks: A3, C2, C3)
• Lead Vocals [Co-lead Voice] – Jill Jones (tracks: D2), Susannah (tracks: D2)
• Lyrics By [Co-written] – Carole Raphaell Davis* (tracks: B3), Susannah (tracks: B2)
• Mastered By [Originally Mastered By] – Bernie Grundman
• Music By [Co-written] – Dr. Fink (tracks: D2), Eric Leeds (tracks: D2)
• Percussion – Sheila E. (tracks: C1, D2)
• Performer [Recorded Live In Paris By] – Prince & The Revolution* (tracks: D2)
• Photography By – Jeff Katz (2)
• Rap [Transmississippirap] – Sheila E. (tracks: D2)
• Saxophone – Eric Leeds
• Sitar, Flute [Wooden] – Lisa* (tracks: C3)
• Tambourine, Congas – Wendy* (tracks: C3)
• Trumpet – Atlanta Bliss
• Vocals – Camille (3) (tracks: C1), Sheena Easton (tracks: C1)
• Voice [Background Voice] – Susannah (tracks: A2, B2)
• Voice [Backing Voice] – Greg Brooks (tracks: D2), Jerome Benton (tracks: D2), Lisa* (tracks: B3),Wally Safford (tracks: D2), Wendy* (tracks: B3)

Notes

Barcode and Other Identifiers

• Barcode (Only on heart-shaped sticker): 0 7599-25577-1
• Matrix / Runout (Runout Side A, variant 1, stamped): R/S Alsdorf 925577-1-A4 XX [XX etched]
• Matrix / Runout (Runout Side A, variant 2, stamped): R/S Alsdorf 925577-1-A5 XX [XX etched]
• Matrix / Runout (Runout Side A, variant 3, stamped): R/S Alsdorf 925577-1-A
• Matrix / Runout (Runout Side B, variant 1, stamped): R/S Alsdorf 925577-1-B4 XD [XD etched]
• Matrix / Runout (Runout Side B, variant 2, stamped): R/S Alsdorf 925577-1-B4 X [X etched]
• Matrix / Runout (Runout Side B, variant 3, stamped): R/S Alsdorf 925577-1-B
• Matrix / Runout (Runout Side C, variant 1+2, stamped): R/S Alsdorf 925577-1-CXX [CXX etched]
• Matrix / Runout (Runout Side C, variant 3, stamped): R/S Alsdorf 925577-1-C
• Matrix / Runout (Runout Side D, variant 1, stamped): R/S Alsdorf 925577-1-D3 D [D etched]
• Matrix / Runout (Runout Side D, variant 2, stamped): R/S Alsdorf 925577-1-D3
• Matrix / Runout (Runout Side D, variant 3, stamped): R/S Alsdorf 925577-1-DX [X etched]
• Matrix / Runout (Runout Side A, variant 1, etched): 1-25577-A1-Intl- RE-1 [ARC logo] ? 15865 1-1
• Matrix / Runout (Runout Side A, variant 2, etched): 1-25577-A2-Intl- RE-1 [ARC logo] ? 15865 1-1
• Matrix / Runout (Runout Side A, variant 3, etched): 1-25577-A-INTL.-S-1 [ARC logo] ? 15865 1-1
• Matrix / Runout (Runout Side B, variant 1, etched): 1-25577-B1-Intl- RE-1 55 [ARC logo] ? 15865 X 1-1
• Matrix / Runout (Runout Side B, variant 2, etched): 1-25577-B1-Intl- RE-1 46 [ARC logo] ? 15865 X
• Matrix / Runout (Runout Side B, variant 3, etched): 1-25577-B-INTL. S-1 2 [ARC logo] ? 15865-X 1-1
• Matrix / Runout (Runout Side C, variant 1, 2, 3 etched): 1-25577-C-INTL- S-1 [ARC logo] ? 15866 1-1
• Matrix / Runout (Runout Side D, variant 1+2, etched): 1-25577-D-INTL- S-1 [ARC logo] ? 15866-X 1-2
• Matrix / Runout (Runout Side D, variant 3, etched): 1-25577-D-INTL. S-1 [ARC logo] ?15866-X 1-1
• Label Code: LC 0392
• Rights Society: GEMA/BIEM
• Other (First innersleeve): 925 577-1 A
• Other (Second innersleeve): 925 577-1 B

Records graded to Record Collector guidelines

Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD’s and CASSETTES

As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.

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