Prljavo Kazalište Televizori Jugoton ?SY 29009 Vinyl 7" OI Yugoslavia 1978 PUNK

	€		31
	$		36

Hello friends, I take my most precious vinyls from my family to auction.
For the simple reason that I do not have where to reproduce it as it
happens to many people and sincerely so that I can not reproduce them that
someone else enjoys because I believe that the music or in this case the
vinyls are not owned by anyone so they change hands of the money
"think of who that ticket of 1000 pesetas because of the one who owns it at the same time happens with vinyl"Once this reflection is done, we will give the data of this wonderful
single from the former Yugoslavia.
Croatian rock band from Zagreb formed in 1977
Prljavo Kazalište ?– Televizori                                                                      Sello: Jugoton ?– SY 29009 Formato: Vinyl, 7", EP
País: Yugoslavia Publicado: 1978 Género: Rock Estilo: Punk

Lista de Títulos A1 Televizori
A2 Majka

Moje Djetinjstvo ( cara b)

Créditos

• Bass – Ninoslav Hrastek*
• Drums – Tihomir Fileš
• Guitar [Rhythm], Backing Vocals – Jasenko Houra
• Guitar [Solo] – Zoran Cvetkovi?
• Photography By – Mario Krištofi?
• Producer – Vedran Boži?
• Vocals – Davorin Bogovi?
• Written-By – Prljavo Kazalište

Notas

Edition with solid strip on labels.

Maksi single (Maxi-Single) is printed on the cover.

Código de Barras y Otros Identificadores

• Matrix / Runout (A): SY-29009-1 29578 MK
• Matrix / Runout (B): SY-29009-2 29578 MK

History

The former Yugoslav punk scene emerged in the late 1970s, influenced by the first wave of punk rock bands from the Australia, United Kingdom and United States,such as The Saints (Australian band), Sex Pistols, The Clash, Ramones. The DIY punkzine scene also started to develop in Yugoslavia.

Some of the first ones were formed in Serbia, SR Slovenia and SR Croatia: KBO! from Kragujevac, Pankrti from Ljubljana, Komuna from Niš and Paraf from Rijeka.

The late-1970s and early 1980s bands from Belgrade, the capital of both SR Serbia and Yugoslavia included: Defektno Efektni, Urbana Gerila and Radni?ka Kontrola (feat. Cane who later came into prominence as frontman of Partibrejkers and Sr?an Todorovi?, later an eminent movie actor). This generation of bands was included on the Artisti?ka Radna Akcija compilation. Elektri?ni Orgazam was also a punk band during its early period, although it became a more mainstream act later. The other musicians from this period included: the prominent punkabilly artist, Toni Montano, from Belgrade; a former singer of Radost Evrope; the punk band Pekinška Patka, led by the charismatic Profesor ?onta, from Novi Sad; and the notable Yugoslav punk writer, Ivan Gliši?, who emerged from Šabac, in Serbia Proper.

The first punk band in Skopje, Socialist Republic of Macedonia, is considered to be Fol Jazik, formed in 1978. Other notable acts from Skopje included Badmingtons and Saraceni, both led by Vladimir Petrovski Karter. The bass player of Saraceni, Goran Trajkoski, previously played in the punk band Afektiven naboj from Struga. Later he was the frontman of Padot na Vizantija and rose to international prominence as the frontman of Anastasia and Mizar. In Sarajevo, Socialist Republic of Bosnia and Herzegovina, the following artists emerged: Ozbiljno pitanje (which later evolved into the mainstream act Crvena Jabuka), Ševa (later Bombaj Štampa led by Branko ?uri?), and the cult band Zabranjeno Pušenje. These Sarajevian bands formed the punk-inspired New Primitives movement.

In the late 1970s, some punk bands were affiliated with the Yugoslav new wave scene, and were labeled as both punk rock and new wave. During a certain period, the term new wave music was interchangeable with punk. One of the most important compilations of the Yugoslav new wave era is Paket Aranžman.

The end of the 1970s and the beginning of the 1980s saw the emergence of various subgenres of punk rock, such as streetpunk and Oi!, later followed by hardcore punk, crust punk, crossover thrash, and grindcore. Notable acts during the 1980s included, the hardcore punk bands such as Niet, Odpadki Civilizacije, Tožibabe, Epidemija and U.B.R. from Ljubljana, S.O.R. from Idrija and Ujetniki svobode from Laško, Slovenia; Patareni from Zagreb, KUD Idijoti from Pula and Apatridi from Slavonska Požega, Croatia; The Dissidents from Prijedor and Ženevski Dekret from Mostar, Bosnia and Herzegovina; KBO! and Trula koalicija from Kragujevac, Nade iz Inkubatora, Giuseppe Carabino, Marselyeza and Process from Subotica, Incest from Novi Be?ej and Napred U Prošlost from Banatsko Novo Selo and the Oi!/streetpunk bands Dva minuta mržnje, Vrisak generacije and Ritam Nereda from Novi Sad, Serbia. A notable mainstream pop punk band was Psihomodo Pop from Croatia (heavily influenced by the Ramones).[clarification needed]

Many eminent foreign punk bands played concerts in the former Yugoslavia in the late 1970s and throughout the 1980s, including: The Ruts, Siouxsie and the Banshees, UK Subs, Angelic Upstarts, The Exploited, Charged GBH, The Anti-Nowhere League, Discharge, Youth Brigade and Amebix. In 1983 The Anti-Nowhere League released their album Live in Yugoslavia, while Angelic Upstarts released a live album with the same title in 1985.

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