RETURN TO FOREVER LIGHT AS A FEATHER RARE ORIG '73 POLYDOR 1A WHITE LBL PROMO LP
$
95
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Description
WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· CHICK COREA AND THE RETURN TO FOREVER – LIGHT AS A FEATHER – ORIGINAL 1973 POLYDOR RECORDS STEREO LP PD-5525
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· The bidders should note that this is a rare Bob Ludwig-mastered “hot pressing” of this album, with his initials “RL” (Robert Ludwig) etched in the trail-off vinyl of the disc. All the wonderful elements of Bob Ludwig’s trademark mastering style are here: incredible clarity and balanced channel separation, vivid and spacious “ambience” sound, as well as wide dynamic and frequency range of the sound spectrum. As is almost always the case with Bob Ludwig’s masterings, the Bob Ludwig-mastered pressings of this album are CONSIDERABLY rarer than the regular, non-Ludwig copies of this album.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)
· CLEAN, WEAR-FREE LABELS
· THE RECORD HAS A'STERLING' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Always tied to a confusing time line, the first released recording from the original configuration of Return to Forever was actually their second session. An initial studio date from the ECM label done in February of 1972 wasn't issued until after the band had changed in 1975. The Polydor/Verve recording from October of 1972 is indeed this 1973 release, featuring the same band with Chick Corea, Stanley Clarke, Airto Moreira, Joe Farrell, and Flora Purim. There's no need splitting hairs, as both are five-star albums, showcasing many of the keyboardist's long enduring, immediately recognizable, and highly melodic compositions. Farrell's happy flute, Purim's in-the-clouds wordless vocals, the electrifying percussion of Airto, and Clarke's deft and loping electric bass guitar lines are all wrapped in a stew of Brazilian samba and Corea's Fender Rhodes electric piano, certainly setting a tone and the highest bar for the music of peer groups to follow. "Captain Marvel" -- the seed for the band sans Farrell and Purim that was expanded into a full concept album with Stan Getz -- is here as a steamy fusion samba with Corea dancing on the keys. By now the beautiful "500 Miles High" has become Purim's signature song with Neville Potter's lyrics and Corea's stabbing chords, and unfortunately became a hippie drug anthem. Perhaps Corea's definitive song of all time, and covered ad infinitum by professional and school bands, "Spain" retains the quirky melody, handclapped interlude, up-and-down dynamics, exciting jam section, and variation in time, tempo, and colorations that always command interest despite a running time of near ten minutes. "You're Everything" is a romantic classic that surely has been heard at many weddings, with another lyric by Potter sung in heaven by Purim, while the title track is Purim's lyric in a looser musical framework with Clarke's chart coalescing with Corea and Farrell's pungent flute work. As much as the others have become icons, the extraordinary sound of Farrell on this date should never be trivialized or underestimated. The final track, "Children's Song," was a springboard for several of Corea's full-length album projects, and is heard here for the first time via a trio setting in a slow, birthlike motif. The expanded version of this recording includes many alternate takes of four of these selections, but also includes "Matrix," which was not on any RTF albums, and there are four versions of "What Game Shall We Play Today?," which was only available on the ECM release. From a historical perspective, this is the most important effort of Corea's career, quite different than his prior previous progressive or improvising efforts, and the pivotal beginning of his career as the most popular contemporary jazz keyboardist in history.
(EXCERPT FROM AN ONLINE REVIEW BY MICHAEL G. NASTOS, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 80:1.
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has a few tiny wrinkles along the spine and the top seam(nothing significant)
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1.
- Minor shelf wear noted on the seams (nothing significant)
- Cover has one corner slightly worn / dinged (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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