RICKIE LEE JONES it's like this ANALOGUE PRODUCTIONS 45rpm 180g AUDIOPHILE 2 lps

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RICKIE LEE JONES it's like this Analogue Productions APP 51056 45rpm 2 Record Set 180 gram AUDIOPHILE pressing

Tracklist

A1 Show Biz Kids Piano, Backing Vocals – Joe JacksonWritten-By – Donald Fagen, Walter Becker 4:34 A2 Trouble Man Written-By – Marvin Gaye
5:11 B1 For No One Piano – Joe JacksonWritten-By – John Lennon, Paul McCartney* 2:32 B2 Smile Written-By – Charlie Chaplin, Geoffrey Parsons, John Turner (2) 1:48 B3 Low Spark Of High Heeled Boys Piano – Ben FoldsWritten-By – Jim Capaldi, Steve Winwood
5:12 C1 On The Street Where You Live Written-By – Lerner & Loewe 3:28 C2 I Can't Get Started Written-By – George Gershwin, Vernon Duke
4:29 D1 Up A Lazy River Backing Vocals – Ben Folds, Dan Hicks, Taj MahalWritten-By – Hoagy Carmichael, Sidney Arodin 2:49 D2 Someone To Watch Over Me Written-By – George Gershwin, Ira Gershwin 2:02 D3 Cycles Written-By – Gayle Caldwell 3:16 D4 One Hand, One Heart Piano, Backing Vocals – Joe JacksonWritten-By – Leonard Bernstein, Stephen Sondheim 1:57

*(all photos are of the actual item)

• Mastered At – AcousTech Mastering

• Acoustic Bass – Michael Elizondo*, Paul Nowinski, Richard Davis (2)
• Acoustic Guitar – John Pizzarelli
• Acoustic Guitar, Electric Guitar, Organ, Vocals – Rickie Lee Jones
• Art Direction, Photography – Lee Cantelon
• Artwork By [Graphic Production] – Michael Love
• Bass Clarinet – Jeff Dellisant
• Co-producer – Ben Sidran (tracks: A1, C1 to D1, D3)
• Drums – Carl Allen, Peter Erskine, Rick Marotta
• Engineer – Barry Goldberg (2) (tracks: A1, B3 to C2, D1, D3), James Farber (tracks: A1, C1, C2, D3),Larry Alexander, Rob Smith (10) (tracks: A1, B1, B2, D2, D4)
• Mastered By – Kevin Gray
• Organ – Bruce Brody
• Percussion – Bashiri Johnson
• Producer – Bruce Brody, Rickie Lee Jones
• Saxophone – Alex Foster
• Trombone – Conrad Herwig

Notes

Analogue Productions 
(p) (c) 2000 Sheridan Square Entertainment, LLC. 
Licensed from Sheridan Square Entertainment, Inc. 
by Analogue Productions in 2008 

Premium Vinyl Pressing HQ-180 "This lovely set of intimately arranged and meticulously recorded covers, originally issued in 2000, is precisely the kind of semi-obscure album in need of a quality all-analog reissue…The superbly natural sound produced by this record is what spending big bucks on an audio system is all about. Set the volume appropriately and Ms. Jones'll draw you into the studio for a personal song recital…This is one to savor." Music = 9/11; Sound = 10/11 – Michael Fremer, www.musicangle.com
"…this effort from 2000 shows Jones conjuring such magic with the material that she deserves as much attention for reworking standards as do Carly Simon or Linda Ronstadt. Kicking off with Steely Dan's 'Show Biz Kids,' and with appearances by Joe Jackson and Ben Folds, among the highpoints is the Beatles' 'For No One' that ranks as among the finest Beatles cover ever. And considering that they number in the tens of thousands, that's about as high as praise gets." Recording = 5/5; Performances = 5/5 Album of the Month – Ken Kessler, Hi-Fi News, April 2008
"The Rickie Lee Jones 45rpm is AWESOME UNREAL AMAZING!!! I have to get a backup copy. I'll play this one to death." – Danny Kaey, Positive-Feedback Online
Not since Billie Holiday has there been a vocalist who so completely transforms a song into her own. On It's Like This, eclectic folkie Rickie Lee Jones envelops standards, showtunes, '70s soul, and even slick jazz-rock, interpreting them with her familiar childlike, breathy shouts. In a very similar vein as 1991's Pop Pop, Jones pulls together a collection of diverse songs from throughout the 20th century and gives them a sparse, fragile spin, kind of like Diana Krall and Bjork sharing coffee at an all-night diner. Produced by Bruce Brody (who has also worked with Maria McKee and Bette Midler), this album is really a showcase for the dynamic vocalist - her voice pitching and yawing like a sloop far out at sea. Several notable artists scatter themselves unobtrusively throughout the album like Joe Jackson, Ben Folds, John Pizzarelli, and Taj Mahal; each lend a subtle bass line or harmony vocal, cautiously not stepping on any of Jones' delicate lines.