ROGER WATERS Is This The Life We Really Want? 12" 2xLP Vinyl NIGEL GODRICH NEW
$
30
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Description
Roger Waters
Is This The Life We Really Want?
12" Vinyl Double LP Album Gatefold sleeve Printed Inner Lyric Sleeves
Item Description:
Tracklist
A1 When We Were Young 1:38
A2 Déjà Vu 4:27
A3 The Last Refugee 4:12
B1 Picture That 6:47
B2 Broken Bones 4:57
C1 Is This The Life We Really Want? 5:55
C2 Bird In A Gale 5:31
C3 The Most Beautiful Girl 6:09
D1 Smell The Roses 5:15
D2 Wait For Her 4:56
D3 Oceans Apart 1:07
D4 Part Of Me Died 3:12
Companies, etc.
Distributed By – Columbia Records
Phonographic Copyright (p) – Jule Pond Productions LLC
Copyright (c) – Jule Pond Productions LLC
Licensed To – Columbia Records
Published By – Roger Waters Music Overseas Ltd.
Published By – BMG Rights Management (UK) Limited
Published By – Copyright Control
Recorded At – United Recording Studios
Recorded At – Fivestar Studio
Recorded At – Electric Lady Studios
Recorded At – Wack Formula
Mastered At – Gateway Mastering
Lacquer Cut At – Alchemy Mastering
Mastered At – Record Technology Incorporated – 27817
Credits
Arranged By [Strings] – David Campbell, Nigel Godrich
Arranged By, Sounds [Sound Collages], Keyboards, Guitar – Nigel Godrich
Bass, Guitar, Keyboards – Gus Seyffert
Creative Director – Sean Evans (4)
Design – Dan Ichimoto, Danny Kamhaji, Sean Evans (4)
Drums – Joey Waronker
Engineer – Nigel Godrich, Sam Petts-Davies
Engineer [Assistant, Electric Lady] – Gosha Usov
Engineer [Assistant] – Monique Evelyn, Rouble Kapoor, Wesley Seidman
Engineer [United Recording] – Darrell Thorp
Keyboards – Lee Pardini, Roger Manning*
Keyboards, Guitar – Jonathan Wilson
Lacquer Cut By – Bazza (2)
Management – Mark Fenwick
Management [Associate] – Kate Watkins
Mastered By – Bob Ludwig
Mastered By [Vinyl] – Barry Grint
Photography By [Smell The Roses] – Viktor Bulla
Photography By [The Most Beautiful Girl] – Richard Rowley
Producer, Mixed By – Nigel Godrich
Vocals – Holly Laessig, Jess Wolfe
Vocals, Acoustic Guitar, Bass – Roger Waters
Voice – Celia Drummond, Emma Clarke, Ingrid Schram, Jane Barbe, Kathy Somers, Rachel Agnew
Written-By – Roger Waters, Mahmoud Darwish* (tracks: D2)
Notes
Comes in a gatefold cover, inner sleeves with lyrics.
Recorded at:
United Recording
Five Star Recording
Electric Lady Studios
Wack Formula Studio
Mastered at Gateway Mastering
Vinyl Mastering at Alchemy
© 2017 Jule Pond Productions LLC
? 2017 Jule Pond Productions LLC under exclusive license to Columbia Records
All songs © Roger Waters Overseas Limited. Administered by BMG Rights Management (UK) Limited./Copyright Control
Review by Stephen Thomas Erlewine
Roger Waters may not have made an album of new material between 1992 and 2017, but he was very active during that quarter-century. He toured regularly, wrote an opera, reunited Pink Floyd for the 2005 charity concert Live 8, and revived The Wall several times, turning the self-absorbed rock opera into a political piece. Is This the Life We Really Want?, his fourth song cycle, picks up on this thread, functioning as barbed protest music for the age of Brexit and Trump. Waters doesn't disguise his bile -- there's a lament for "The Last Refugee" and he spits out "picture a leader with no f****** brains," a clear broadside against Trump -- but the album doesn't seethe with rage. With its deliberate tempos, wide soundscapes, operatic guitar solos, and swelling crescendos, it is recognizably a Waters album or, perhaps more accurately, a Floydian one. Where his other solo albums sported productions that tied them to their time -- quite garishly so in the case of 1987's Radio K.A.O.S. -- Is This the Life We Really Want? is warm and supple, thanks in no small part to a band featuring guitarists Jonathan Wilson and Gus Seyffert, drummer Joey Waronker, and keyboardist Roger Manning. The key player, though, is producer Nigel Godrich, who gives this a sonic richness evoking late-period Pink Floyd without specifically nodding toward any particular record. Certainly, Is This the Life We Really Want? lacks the straightforward narrative or melodic thrust of The Wall, but it isn't as somnolent as The Final Cut, and if the songs don't call attention to themselves, they nevertheless form a long suite that works as a sustained mood piece.
Jacket Condition: VG+
Very Good Plus condition, new, sealed, minor wear on jacket corners and plastic sealing from being on store shelf (see pictures).
Vinyl Condition: Sealed
Never opened or played, sealed, new.
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