SEALED: Reference Recordings 45 rpm Chihara: The Tempest LeRoux, cond. OOP RARE
$
27
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Description
Reference Recording 10. Sealed LP. The Tempest The Tempest Reference Recording RR-10. Sealed/New LP.The Cover is perfectly flat,and not warped.45 rpm. William Shakespeare's The Tempest is an enchanted island tale that focuses on a fledgling romance, the tensions that exist between noble and servant classes, and the often murky distinctions that separate illusion and reality. Completed by Shakespeare in 1611, The Tempest was adapted to into a full-length ballet (of the same name) and performed for the first time on May 13, 1980, by the San Francisco Ballet. American composer Paul Chihara wrote the music for The Tempest ballet by interpreting themes that were originally scored by the 17th century English composer Henry Purcell. Chihara's composition slides in and out a multitude of styles and situations with graceful splendor. From ragtime songs played on clarinets and woodblocks to ominous pronouncements bristling with brass and strings, Chihara manages - despite the LP's thirty-one cuts - to keep his work cohesive and focussed. Performed by The Performing Arts Orchestra under the direction of Jean-Louis LeRoux, this particular rendition of Chihara's work is expertly played without feeling stiff or stilted (something that would have become apparent during the work's more swinging sections). Chihara, who was the San Francisco Ballet's Composer in Residence at the time of the ballet's debut, has truly created a musical score that deserves to be in the same artistic league as Shakespeare's The Tempest
A Note on REFERENCE RECORDINGS:
For many years, RR has been searching the world over for the best possible vinyl mastering, plating and pressing facilities so we could re-enter the LP market. We now have a production chain that will allow us to produce LPs to meet our high standards and satisfy our demanding customers, who have been waiting for these LPs for a long time!
Assembling the Team:
Disc mastering is done at half-speed (see note further in this press release) to insure maximum accuracy. The lathe system has custom electronics by Nelson Pass. The simple signal path contains no compression, equalization or unnecessary circuitry. RR Chief Engineer and Technical Director, “Prof.” Keith Johnson consulted on the design of the system and helped with the rebuilding of the lathe and electronics, which is owned and operated by long-time mastering expert Paul Stubblebine. “Prof.” Johnson has pronounced it equal to the challenge of our master tapes!
Once we achieved successful results in disc mastering, we faced the difficult task of choosing the best plating and pressing facility to manufacture our discs. Fortunately, the new Quality Record Pressings plant in Salina, Kansas was coming on line, and we feel that waiting for this plant to open was well worth it. Chad Kassem assembled a crack team of experts to design and run his new plant, employing many unique techniques and features that clearly set QRP apart from all other pressing plants. We believe the 200-gram deluxe vinyl pressings from QRP are truly exceptional.
Multiple Configurations for New Reference Mastercuts
Depending on program lengths, some new releases will be cut at 45 rpm, some at 33-1/3 rpm. Some will be single discs, some double. All will feature deluxe gate-fold jackets crafted by Stoughton Printing An unusual feature of new RR masterings is what we call the "FDS finish”: the end of each side will have a 30-second band of silent grooves before the “pull-away.” No one today uses a record changer, and the silent grooves allow time to lift the arm before the always-somewhat-noisy tie-off. (Some 1950s vintage Capitol Full Dimensional Sound pressings sported this feature.) RR founder, J. Tamblyn (Tam) Henderson deserves special recognition for identifying the value of this unique production feature and reintroducing it with the new Mastercuts.
NOTE: Half-speed Mastering involves a capturing process in which the original recording master is played back at exactly half of the recorded speed. A sequenced cutting lathe is then timed at exactly half of the playback speed. This process allows twice as much time to carve a groove that accurately represents the sound on the master tape. Half-speed mastering allows for cleaner reproduction and also permits extended high frequency response, extending into the ultrasonic region. (RR Site)
"A Prof. Johnson Pure Analogue Recording"
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All Lps are distortion free: i.e. all loud climax hold their own and do not break up.
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Our grading:
SEALED
NM: Virtually brand new
NM-: plays like new but a rare pops and ticks may show up
NM--: still a great sounding LP but just a bit more surface noise
VG+: Surface noise is more noticeable
VG: Surface noise throughout but does not take away from presentation
VG-: Well- now you'll notice the noise very easily but the disc still has all its sound
G: A bit of a tough ride now
G-: buckle up
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