SIGURD RASCHER Plays The SAXOPHONE: Classical Saxophone- Grand Award + Bonus LP
  $   98

 


$ 98 Sold For
Nov 29, 2021 Sold Date
Mar 23, 2019 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description




SIGURD RASCHER Plays The SAXOPHONE: Classical Saxophone- Grand Award + Bonus LP










Sigurd Rascher ?– Plays The Saxophone

Label: Grand Award Record Co., Inc. ?– AAS 703    Original 1st Edition Pressing Format: Vinyl, LP, Album Country: US Released: 1960 Genre: Classical  


THE VINYL :  This beautiful record is lightly played with minimal evidence of spindlewear, and both of the LP surfaces retain all of their original gloss. Bright, undamaged labels (please see photos). The record has been carefully handled.

Side A :  NM  with no marks.

Side B :  EX+ :  present are 2 very short marks- one is a faint hairline, the other is a moderate scratch about .25 inch in length at the end of track B-4 (below). There are no other marks.

I have placed the LP into a protective high density plastic inner sleeve.



THE COVER :  EX+ :  Exceptionally well-stored / laminated / bright colours / sharp corners / no edgewear / partial, light ringwear on the bottom front cover / all of the seams, including the spine, are intact / minor edgewear / no writing, paper loss, stains or dirt.

 

Tracklist :

A1 Prelude And Gigue
A2 Bourree
A3 Les Petits Riens
A4 Rondeau Basque
A5 Gavotte
A6 Tambourin
A7 Sicilienne
A8 Le Temple De Le Gloire
A9 Phantasme
A10 The Bee
B1 Romance
B2 Passepied
B3 Walla-Kye
B4 Miniature Viennese March
B5 Gavotte
B6 Aria
B7 Rigaudon
B8 Prelude
B9 Rumba


 The back cover photo provides quite a bit of detail information regarding each track, and Sigurd Rascher as a "Classical Saxophonist".


Wikipedia  provides this information about the gifted and inventive Mr. Rascher :


"Sigurd Rascher was born in Elberfeld, Germany (now part of Wuppertal) where his father, Hans August Rascher (1880–1952), was temporarily stationed as a military physician. His schooling began in Arlesheim, Switzerland and continued in Stuttgart where he graduated from the first Waldorfschule. After having played piano for some time, he decided to study clarinet with Philipp Dreisbach at the Hochschule für Musik in Stuttgart (1928/1929) In an interview, Rascher said, "Obeying necessity, not following my inclination, I started to play saxophone in order to be in a dance band. As I did this for a couple of years, I became more and more unsatisfied. I started to practice furiously and slowly found out that it had more possibilities than was usually thought of."

 "One subject that was of great importance to Raschèr was his tonal concept. He believed that when used in classical music, the saxophone should sound as its inventor, Adolphe Sax, had intended. Upon inventing the instrument, Sax had specified the shape of the interior of the instrument's mouthpiece as being large and round. All saxophone mouthpieces were made in this style until the 1940s, when the advent of big-band jazz made saxophonists experiment with different shapes of mouthpieces to get a louder and edgier sound.

Between 1940 and 1960, it became common for classical saxophonists to use narrow-chamber mouthpieces, which give the instrument a brighter and edgier sound. Whenever he taught or lectured to saxophone players, Raschèr emphasized that the modern mouthpieces were not what Sax had intended, and the sound they produce, while useful to a jazz player who requires a loud penetrating sound, was not appropriate for use in classical music. His students and other disciples felt that the desirable tone for a classical saxophone was a softer, rounder sound - a sound that can only be produced by a mouthpiece with a large, rounded interior (often referred to as an "excavated chamber"). His steadfast and irascible insistence in this area, while nearly all the world's classical saxophonists were moving to narrower mouthpieces (along with saxophones with a non-parabolically expanding bore) and a brighter tone, resulted in quarrels with, and alienation from, the majority of the classical saxophone world. There were other ways in which his playing differed from the majority of classical saxophonists; these included his insistence on using the slap tongue as a pizzicato technique, and his use of fluttertonguing.

By 1970, narrow-chambered mouthpieces had become nearly universally popular, and mouthpiece manufacturers ceased production of large-chambered mouthpieces. This lack of supply meant that Raschèr's students had difficulty finding mouthpieces that would produce the tone they desired. For a period of time the only large-chambered mouthpieces were ones that had been manufactured in the 1920s and 1930s, leading Raschèr students to search pawn shops and other sources of old instruments.

Raschèr responded to this lack of supply by engaging a manufacturer to make a "Sigurd Raschèr brand" mouthpiece, which was simply a virtual duplication of the mouthpieces that had been readily available from American saxophone manufacturers Buescher, Conn and others in the 1920s. The Raschèr mouthpiece is still manufactured today."


                          
                                                

The BONUS LP you can see in the photos, is  The Leblanc Fine Arts Saxophone Quartet  on the Coronet Record Label in Stereo 850C-3208.

The Vinyl is EX, and is lightly played with sleevewear from the original paper inner sleeve, but no obvious marks other than that.

It will come in the mailer along with the Sigurd Rascher release.






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SHIPPING:
 

We pack our records VERY CAREFULLY and will combine shipping for multiple purchases. For multiple purchases, please do not pay until you have received the combined item invoice. Additional records sent through USPS Media Mail are always free.

We have one day shipping service, and once into the hands of the transit providers, a tracking number will be added to the item in your purchases section on ebay.
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If you are located in close proximity to California, Media Mail can be reasonably fast. If you want added certainty in quick shipping, please select the Priority Mail Option on your invoice while checking out.


HELLO INTERNATIONAL MUSIC LOVERS:

International shipping charges have gone up greatly, and discouraged us from shipping internationally. We no longer ship outside the United States. We only ship to U.S. addresses.

 

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RECORD GRADING DESCRIPTION:

THIS RECORD IS SIGHT-GRADED ONLY UNDER A BRIGHT LIGHT, ACCORDING TO THESE DEFINITIONS:

SEALED: RECORD IS WRAPPED IN PLASTIC & UNOPENED.

NM-: RECORD HAS LITTLE OR NO INDICATION THAT IT HAS BEEN PLAYED.

EX: MINIMAL SIGNS OF USE (LIGHT SCRATCHING/PAPER SCUFFS), BUT IN ALL A RECORD THAT HAS BEEN WELL-CARED FOR.

VG+: LESS CARE THAN EX, LIGHT SCRATCHING OR SCUFFING IS MORE EXTENSIVE. STILL VERY PLAYABLE & WILL LIKELY PROVIDE A QUALITY SOUND.

VG & BELOW: WHILE PLAYABLE, THIS RECORD HAS BEEN AROUND THE BLOCK. OBVIOUS SIGNS OF WEAR & SHOULD BE CONSIDERED TO BE IN A LOW GRADE.  A RECORD GRADED BELOW VG MAY HAVE A VALUE BASED UPON ITS RARITY OR UNIQUENESS.

WE  RECOMMEND THAT YOU CLEAN THIS RECORDING BEFORE PLAYING. RECORDS THAT ARE  DECADES OLD CAN ATTRACT & ACCUMULATE DAMAGING FOREIGN MATERIAL THAT REDUCES SOUND QUALITY. THIS IS NORMALLY EASILY CORRECTED WITH A GOOD CLEANING.

EBAY HAS DESCRIBED SOME OF THE MORE WELL-ACCEPTED CLEANING METHODS, & YOU CAN FIND THESE AT:

http://www.ebay.com/gds/Guide-to-Cleaning-Your-Vinyl-Records/10000000009408734/g.html

 

Returns: 

Accepted, see details under Shipping tab. Most items are covered by the Ebay Buyer Protection Program.

It is important to us that you are pleased with your purchase and our service, and that you give us positive feedback. We want to resolve ANY problems so that you are satisfied with your purchase and feel that you can honestly leave us positive feedback, and we are happy do the same for you.

 

Darbyncoates Policies:

Payment must be made within 3 days of purchase, using ONLY  PAYPAL in accordance with Ebay policies. Nonpayment by winning bidder will result in item re-listing & notification of nonpaying bidder with Ebay.
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