SLAP HAPPY/HENRY COW Desperate Straights LP VIRGIN 1975 UK V-2024 foc FRED FRITH
£
25
$
33
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 1 KILOS (1 or 2, maybe 3, LPs).
WE COMBINED SHIPPING DISCOUNTS
WE ARE POSTING EVERYWHERE IN THE WORLD.
SO IN ORDER TO AVOID MISUNDERSTANDING WE ADVISE YOU TO ENQUIRE
ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM
FOR THESE ITEMS
WE’LL SHIP ONLY WITH REGISTERED MAIL
NO EXCEPTIONS PLEASE
PLEASE ASK FOR ANY INFORMATION
SLAP HAPPY / HENRY COWDAGMAR KRAUSE, PETER BLEGVAD, ANTHONY MOORE, JOHN GREAVES
CHRIS CUTLER, TIM HODGKINSON, FRED FRITH
plus GEOFF LEIGH, PIERRE MORLEN, LINDSAY COOPER
MUCHSIN CAMPBELL, MONGEZI FEZA, NICK EVANS
Avant-pop cult favorites Slapp Happy formed in Hamburg, Germany in 1972;
there vocalist Dagmar Krause first met British experimental composer Anthony Moore,
who had previously issued a pair of solo LPs, Pieces from the Cloudland Ballroom
and Secrets of the Blue Bag, on Polydor. When the label rejected a third Moore record,
he instead proposed a pop project, recruiting Krause and New York-born guitarist Peter Blegvad
to form Slapp Happy; recorded with input from members
of the famed Krautrock band Faust, the trio issued their debut.....
.....The progressive rock genre spawned many groups that became top-grossing arena acts
-- Pink Floyd and Genesis are two -- as well as many who progressed right into obscurity.
Henry Cow were one of the best known and most widely traveled English bands
of the progressive era (though only a cult favorite in the U.S. and actually more popular
in Continental Europe than in their home country), and their music has aged amazingly
well over the ensuing decades due to the group's diverse influences
(Oliver Messiaen, Kurt Weill, Frank Zappa, and Soft Machine were a few) and uncompromising creativity
"DESPERATE STRAIGHTS"
Produced by Henry Cow and Slap Happy with Simon Heyworth
1975 LP VIRGIN RECORDS V-2024
MADE IN ENGLAND
SECOND PRESSING on VIRGIN "Green/Red" LABELS + CIRCULAR "2 Virgins" LOGO
GATEFOLD COVER
Barcode and Other Identifiers
LABEL: VIRGIN - GREEN (Side A) & RED (Side B) LABEL - BLACK TEXT
Catalog on cover: (spine only) V-2024
Catalog on labels: V2024 (V2024A / V2024B)
Matrix / Runout (Side A, Etched): V-2024-A4
Matrix / Runout (Side B, Stamped): V 2024 B-1U (Etched): PN /3
On labels: rim text reads "All Rights........Made in England"
(on Side A): Anthony Moore is published by Blackhill Music Ltd.
Peter Blegvad & John Greaves are published by Virgin Music (publishers) Ltd.
(on Side B): Anthony Moore & Dagmar are published by Blackhill Music Ltd.
Peter Blegvad & Chris Cutler are published by Virgin Music (publishers) Ltd.
(on both sides): Produced by Henry Cow & Slap Happy with Simon Heyworth
? Virgin Music Ltd. A.D.1975
On Inside Sleeve: Album arranged & produced by Slap Happy & Henry Cow with Simon Heyworth
at the Manor & Nova Sound studios
On Back Sleeve: ? 1975 Virgin Records Ltd.
from my records collection
tracklisting
Side A: SOME QUESTIONS ABOUT HATS - THE OWL - A WORM IS AT WORK
BAD ALCHEMY - EUROPA - DESPERATE - RIDING
Side B: APES IN CAPES - STRAYED - GIANTS
EXCERPT FROM THE MESSIAH - IN THE SICKBAY - CAUCASIAN LULLABY
grading
RECORD NEAR MINT (please, read above description)
SLEEVE NEAR EX (please, see pictures and read above description)
A surprising team up at the time of its release (1975), Desperate Straights is a surprisingly melodic album,
light on the art school angst and heavy on the playfulness, which one would hardly
expect from such determined socialists as these. But here it is: "Some Questions About Hats"
sounds like a Kurt Weill outtake, "A Worm Is at Work" gallops along with a sweet tune.
Dagmar Krause remains restrained and not given to flights of horrible fancy.
"Strayed" is reminiscient of Kevin Ayers's brand of art rock, and most of the songs clock
in under two minutes. But never fear: the album ends on the eight minute "Caucasian Lullaby,"
a minimal woodwind piece that suddenly bursts into one last jab of Krausian despair....(AllMusic)
price rating