STEELY DAN Can't Buy A Thrill VG++ 1972 ABC ABCX-758 1ST PRESSING TERRE HAUTE
$
45
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Description
Vinyl: VG++ Play Graded. Sounds Great!! Has some marks that don't affect the sound quality. ABC Labels are Clean and Bright. This is the 1972 ABC ABCX-758 1ST PRESSING! NO BARCODE!!! This is the audiophile acclaimed pressing, Pressed by Columbia's Terre Haute, IN Pressing Plant!! Wall-To-Wall Classic Rock! Classic Rock Defined! Also, listen for the HOT Rock Jazz Fusion innovations. The story of how Fagen and Brecker put this project together under covert auspices are Legendary! "Dirty Work", indeed! This record rolls out like a Greatest Hits album...Besides the obvious hits, don't miss out on the hooks inside of "Kings", "Midnight Cruiser" and "Brooklyn". Skunk Baxter shines bright, as do the singers and the tongue-in-cheek Dan liner notes, the killer artwork...Crucial and Essential! One of Rolling Stone's 500 greatest Albums of All Time!!! allmusic gives it 4 1/2 stars!!
See Review Below!
In the Dead Wax: Matrices, etched. Also, on both sides, T1 ((Pressed at Columbia's Terre Haute, IN Pressing Plant)) Complete Dead Wax Information cheerfully provided upon request.
Cover: VG++ (see photos) Includes the company sleeve. NO BARCODE! Great Collage, Great Lyrics inside the Gatefold. Great Liner Notes. Cryptic, enigmatic, sneering lyrical Rock 'N Roll doesn't get any better than this..."How's my little girl?" indeed!!! Nice high gloss on cover. Front, Gatefold and back of cover artwork and text are rich and clear. The seams, corners and spine are solid and clean. No splits. No writing. Some tape residue on the front top left corner. Spine print is crystal clear.
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping: $5.99 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
Can't Buy a Thrill Review by Stephen Thomas Erlewine
Walter Becker and Donald Fagen were remarkable craftsmen from the start, as Steely Dan's debut, Can't Buy a Thrill, illustrates. Each song is tightly constructed, with interlocking chords and gracefully interwoven melodies, buoyed by clever, cryptic lyrics. All of these are hallmarks of Steely Dan's signature sound, but what is most remarkable about the record is the way it differs from their later albums. Of course, one of the most notable differences is the presence of vocalist David Palmer, a professional blue-eyed soul vocalist who oversings the handful of tracks where he takes the lead. Palmer's very presence signals the one major flaw with the album -- in an attempt to appeal to a wide audience, Becker and Fagen tempered their wildest impulses with mainstream pop techniques. Consequently, there are very few of the jazz flourishes that came to distinguish their albums -- the breakthrough single, "Do It Again," does work an impressively tight Latin jazz beat, and "Reelin' in the Years" has jazzy guitar solos and harmonies -- and the production is overly polished, conforming to all the conventions of early-'70s radio. Of course, that gives these decidedly twisted songs a subversive edge, but compositionally, these aren't as innovative as their later work. Even so, the best moments ("Dirty Work," "Kings," "Midnight Cruiser," "Turn That Heartbeat Over Again") are wonderful pop songs that subvert traditional conventions and more than foreshadow the paths Steely Dan would later take.
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