Sealed LP THE CRYSTALS Twist Uptown 180 GRAM REISSUE-STRONG YET SENSUOUS VOCALS
$
25
$ 25
Sold For
Aug 28, 2019
Sold Date
Jun 8, 2019
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
Sealed LP THE CRYSTALS Twist Uptown 180 GRAM REISSUE-STRONG YET SENSUOUS VOCALS
A MINT LP ON SUNDAZED 5408FROM 2012 A 180 GRAM REISSUE OF THEIR SEMINAL 1963 LP AND IS STILL SEALED!
PRODUCED BY PHIL SPECTOR
PLEASE NOTE THAT THE ORIGINAL LP NOW FETCHES OVER $1300
TRACKS AS SHOWN ON THE BACK COVER PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Among aficionados of the girl group sound, there can't be five acts more beloved than the Crystals. Their best-known songs, which include "He's a Rebel," "Uptown," "Da Doo Ron Ron," "Then He Kissed Me," and "There's No Other Like My Baby," are among the finest examples of the best that American rock & roll had to offer in the period before the British Invasion; and decades into the CD era, the group's records are still prized in their original vinyl pressings even by non-collectors, who seem to recognize that there was something special about the Crystals' work. The group was originally a quintet consisting of Barbara Alston (born 1945), Dee Dee Kennibrew (born 1945), Mary Thomas (born 1946), Patricia Wright, and Myrna Gerrard, organized by Benny Wells while they were still in high school. All of whom had started out singing in churches; Barbara Alston was Wells' niece, and although she later became known as their lead singer on many of their records, Alston was actually recruited as a backup singer by her uncle. Under Wells' guidance, they began performing in more of a pop vein, and one of the gigs that they got was cutting demos for the publisher Hill & Range, which brought them to the Brill Building in midtown Manhattan. It was there, while they were rehearsing, that they chanced to be heard by Phil Spector, who at that time was just starting up his own label, Philles Records. He was in the market for new talent and the Crystals -- who, by that time, had lost Gerrard and added La La Brooks to their lineup as lead singer -- were just what he was looking for, sort of. He liked their sound and their range, but he didn't initially like Brooks' voice and insisted on Alston taking the lead, somewhat reluctantly on her part.
In September of 1961, the slightly reconfigured group cut their first hit, "There's No Other Like My Baby," which rose to number 20 nationally. It was a promising beginning, putting the group, Spector, and his new label on the map; although another song cut at about the same time, "Oh, Yeah, Maybe, Baby" (which featured Patricia Wright on lead), pointed the way to the group's future, with its understated yet boldly played string accompaniment. In early 1962, the Crystals recorded a Barry Mann/Cynthia Weil song called "Uptown," using an arrangement that was a tiny bit lighter on the percussion (except for castanets, of which it had many) but pushed the guitar and the strings out in front more than "Oh Yeah, Maybe, Baby" had. Barbara Alston's strong-yet-sensuous vocals enunciated lyrics that were as steeped in topical subject matter, especially about the frustrations of life in the ghetto, as they were in romance. This gave "Uptown" a subtly two-pronged appeall; it was a gorgeous pop record, but also a new kind of pop record, eminently listenable yet serious in its subtext....
COVER STOCK STILL SEALED WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
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841 (GS 7.0.16 (841))
price rating
