THE MOTHERS OF INVENTION Mothermania RARER ORIG UK 1969 Nr EX FACTORY SAMPLE LP.
£
78
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103
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ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.
Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all, and records WILL arrive damaged in them at some time as most record buyers will already know. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS including full side protection and bubble wrap, the records removed from the covers of course. All this very safe packing means I lose money on every box I post, but safe delivery is, and will always be paramount. You WILL see the difference when my packet arrives. Also, I will pay for insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received if possible. PLEASE NOTE: I will NOT send any item, no matter what its value without a Royal Mail or courier tracking number. ALL my items must be signed and trackable to comply with Ebay delivery rules. Please do NOT ask me to make any exceptions to this rule as no country offers 100% reliable service without it.
Posting to Russia: Yes, I do post to Russia. But delivery can take longer from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.
ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business.
ANY ITEM or ITEMS TO BE PAID WITHIN A MAXIMUM OF 6 DAYS or they will be cancelled – NO EXCEPTIONS.
FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion, as will any bidder who cancels a bid. Please only bid on my items if you want them.
Artist or Band: THE MOTHERS OF INVENTION
Album Title: Mothermania
Producer(s): Frank Zappa & Tom Wilson
TRACK LIST:
Side 1: Brown Shoes Don’t Make It; Mother People; Duke of Prunes; Call Any Vegetable; The Idiot Bastard Son.
Side 2: It Can’t Happen Here; You’re Probably Wondering Why I’m Here; Who Are The Brain Police?; Plastic People; Hungry Freaks, Daddy; America Drinks and Goes Home.
Label/Format: Verve – genuine first press issue format with SVLP 9239 catalogue number and matt textured surfaces. This a rare factory sample, the sticker seen on side two.
Label Conditions: Both very clean, fresh and attractive with only light, fine and faint spindle marks and no wear around the hole area.
Catalogue Number: SVLP 9239
Mode / Speed: Stereo / 33.3 rpm. [Price guides still list this as being available in mono, it isn’t and never has been]
Warps: Few vintage records are ever perfectly ‘flat’, so some slight or very gentle arm movement is normal. If any record I offer has more than that, I will mention it, and it can be assumed all I offer should track without issues, even on budget turntables.
Weight of this Record: 152 grams.
Country of Manufacture: England
Rarity: Scarce as a first pressing, this was no major seller, especially when first issued in 1969. This was only available for a brief time and was the final ‘Mothers’ album issued with a SVLP prefix. This was quickly repressed in the early 1970s making first issues scarce and elusive. The Select Verve repressings are still regularly mistakingly offered as first issues or originals.
Original Year of Release: 1969
Matrix Nos: V6 5068 A-1G / V6 5068 B-1G
Mothers / Stampers: 1 A / 1 A
The Mothers of Invention, Cover from back left to right: Motorhead Sherwood; Roy Estrada; Don Preston; Jimmy Carl Black; Art Tripp III; Bunk Gardner; Ian Underwood; Frank Zappa.
Brief Info: The first Frank Zappa authorised compilation of early Mothers of Invention tracks, all taken from their first three albums – the title a likely sarcastic play on ‘Beatlemania’. Fans looking at the track listing and the text on the back cover will think there is nothing new on offer from this collection. But not so. Several songs include new edits and mixes. The main ones being: ‘Mother People’ now includes the removed verse that includes “Shut your f***ing mouth about the length of my hair” which now makes this original song fully intact with no censoring at all. ‘The Idiot Bastard Son’ is a unique mono version with a totally different mix which makes it sound far more psychedelic. To my knowledge, this version is unavailable on any other album. ‘It Can’t Happen Here’ now includes Zappa’s reference “since you first took the shots” (a drugs related phrase spoken to Suzy Creamcheese). This line was removed from the final mix of Freak Out! Other original mixes are more subtle from ‘Freak Out’ and ‘We’re Only in it For the Money’, the songs from ‘Absolutely Free’ are the originals apart from ‘Call Any Vegetable’ that is shortened. It includes as seen, a superb full colour picture of the full early band, and only first issues were laminated which makes it look way better. This record appears hardly played and is a rare factory sample. Most plays superbly well, but there are a couple of moderate very brief crackles within the pressing on ‘The Idiot Bastard Son’ which I have seldom not heard on first pressings. Indeed my own near mint copy has traces of them in the same places, just not quite as noticeable as on this copy. So this a pressing issue that seems affects a high percentage of originals. I consider this one of the rarest original Mothers Verve originals and it seldom surfaces in anything like decent condition when it does.
Cover Grade and Format: EXCELLENT: or close to. A single format with front laminate, this covers all the folds and ends on three rear flipbacks. The main back panel is matt and smooth. Printed and made in England by Garrod & Lofthouse. Includes the plain white inner sleeve.
Lamination & Front: An impressive front, the only clue to its 50-years-of-age is some darkening of the right laminate end strip on the fine exposed card, again this is rarely avoided on this cover. The laminate retains excellent shine, freshness and clarity with any dulling around the rim area gentle and light seen under light. No lifting, any creasing also few and mainly light. Little detracts from this classic picture of the early Zappa band – this the line up that made The Mothers of Invention masterpiece ‘We’re Only in it For the Money’. For most looking at this bizarre bunch of musicians, it’s no real surprise this failed to sell.
Cover Back: The main matt back panel has only gentle traces of any grubbiness to offer scant hint of age. No rubbing, creasing, sticker issues or writing. All three flipbacks are solid, neat and lacking the usual grubbiness or burring to their ends. One small surface chip on the bottom one and a light scuff to the top one near the centre, being white, this registers little. A cover that has been well looked after, and being honest, most who bought these vintage underground psych albums, few were hi-fi connoisseurs, hence most copies of this and other similiar albums are trashed, putting a fine looking copy like this in real perspective.
Top Edge: Straight, very smooth and barely worn at all up to the very right corner tip that has a minute rub trace.
Bottom Edge: Superb, very close to as-made.
Right Edge(s), and Type: Still fairly sharp with any thickening little and light as seen viewed end-on. Record enters on this edge that is guaranteed untrimmed or enhanced.
Spine and Text: A fantastic spine that has barely anything at all to fault. Solid, straight with barely any compression, the ends are gently tapered in manufacture. All text is perfect and unworn under the solid and uncracked laminate.
Corners: Any tip rubs tiny and light, a little discolouration on the exposed card of the right pair. Very fine shape retained with no heavy knocks, any evidence of dinks, tiny and light.
Cover Summary: A very strong all-round example of this rare late 1960’s cover, one that will prove very difficult to find much better – these originals seldom surface this nice. This essential compilation album cover should please many collectors.
The Inner Sleeve: EXCELLENT: a plain white unlined inner with little to fault bar a sticker residue mark on one side. Generally clean with hardly any creasing and all edges solidly intact with no repairs.
Vinyl Condition/Visual Grading: NEAR EXCELLENT: arguably better. A very fine visual copy that is very clean with fine shine and heavily pressed – subsequent repressings were much thinner. A copy with modestly light plays on all the evidence with any surface marks very light, wispy, fine and faint as seen critically under bright light. No penetrating stylus scratches, viewed in average room light, little anything even registers. Visually a super record that should please many collectors.
Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing equipment, all listed further down.]
Sound Quality and Audio Grading: This unique mix and edit compilation album plays mostly, even above it’s high visual grading with little else to fault bar a couple of moderate crackles towards the end of the first side – these come and go in an instant. Sound quality is very high apart with a wide dynamic range and very detailed sound. Any other unwanted sounds are minimal indeed and has no tracking issues*. As stated above, I have barely heard any copies without these pressing sounds on ‘The Idiot Bastard Son’, without doubt this is a pressing issue inherent on many, if not most first issues. I feel sure this record has been played lightly and has been generally well stored and carefully handled, certainly compared to most originals that show up. Those couple of ultra brief crackles apart, nothing else spoilt my pleasure when play-grading this elusive first pressed record. It will still prove difficult to find significantly better and can be recommended unless absolute perfection is mandatory. I am quite convinced few first UK issues of this album will not have the odd pressing flaw as the barest minimum.
* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2 grams. Records are a ‘contact’ format, and few will avoid the odd minor sound blemish.
I am one of the most established sellers on Ebay, trading since 2001 and offering the finest records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty all elements of the items I offer for sale. You may notice I only submit records quite sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade – visuals alone do not always tell a true story. I will try to mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same – just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in near mint condition as the real rare items. All the pictures I use for your guidance are the item being offered with no digital enhancements. Room light factors can make things vary sometimes, that is hard to control, especially in winter. I hope the item below is to your liking – any questions can be emailed and I will do my best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items. Please assume all records I offer have NO jumps, sticks, major warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 805 Nautilus (bi-wired with Tellurium Black terminated cable) with REL subwoofer. All records I offer on Ebay are cleaned on a professional Nessie vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D7500 DSLR Camera.
PACKING – THIS IS WHAT YOU GET.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid bid retractions. Small businesses need prompt payment to trade and these strict rules WILL be applied.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I only accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 2 days for communication and 7 days for payment to arrive – if not I will relist the item or offer to the runner-up.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund if the item is returned in the same condition is was sent e.g. as per the listing pictures.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
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