THE SAINTS Eternally Yours LP SIRE 1978 US orig+inner SRK 6055 CHRIS BAILEY PUNK
  £   25
  $   33

 


£ 25 Sold For
Mar 26, 2017 Sold Date
Mar 16, 2017 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

U.K.  BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS

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  THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).

The shipping cost from Italy to UK and Europe from 1 up to 5 albums

[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier 

[NOT for Norway, Russia, Ukraine,Switzerland, please ask for prices with registered letter],

 with a sturdy and well conceived box.

The shipping cost  also depends by the exchange euro/pounds. 

Still, starting from the 1st of December the Italian Post increased 

the price for the international & domestic shipment. 

We have done our best to absorb any handling fees in order 

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THE SAINTS

Unpretentious and straightforward, these long-haired Aussies refused 

to subscribe to the rigid definitions of the punk scene.

Roaring out of Brisbane, Australia in 1977 with the punk-era classic "(I'm) Stranded," 

the Saints, despite going through numerous incarnations, were a part of rock & roll 

for more than 20 years, thanks mainly to their indefatigable leader (and founder), 

Chris Bailey. Although they didn't play anything that passes for punk rock after 

about 1978, and despite extended dormant periods, the Saints never officially 

broke up, and Bailey always seemed to have another version of the band and 

another record ready to release. Saints' fans generally fall into two distinct camps: 

the punk-era fans (up to about 1980) and the mature pop fans

"ETERNALLY YOURS"

1978     LP     SIRE RECORDS     SRK 6055  

PRINTED IN U.S.A.    ORIGINAL FIRST PRESSING

SINGLE SLEEVE + INNER

HEAVY DUTY CARDBOARD COVER

Barcode and Other Identifiers

Barcode: none

LABEL: SIRE  - YELLOW LABEL w/BLUE LOGO - BLACK TEXT

Catalog on cover: (spine & rear) SRK 6055

Catalog on labels: SRK 6055 (Side I / Side II)

Matrix / Runout (Side A, Etched & Stamped): SRK-1-6055-WWI   —? STERLING 

Matrix / Runout (Side B, Etched & Stamped): SRK-2-6055-WWI   —? STERLING 

On labels: rim text reads "Sire Records, Inc. Marketed by Warner Bros. Records Inc. Made in U.S.A."

Produced by Chris Bailey and Ed Kuepper

All selections written by Kuepper, Bailey except as indicated.

All selections copyrighted 1978 Saints Publishing, controlled in USA and Canada by Sinners Music-BMI

? 1978 EMI Records Ltd.

On Back Cover: Made in U.S.A. ? © 1978 EMI Records, Ltd......

from my records collection

tracklisting

Side A: KNOW YOUR PRODUCT - LOST AND FOUND

MEMORIES ARE MADE OF THIS - PRIVATE AFFAIR - A MINOR AVERSION - NO, YOUR PRODUCT

Side B: THIS PERFECT DAY - RUN DOWN - ORSTRALIA

NEW CENTRE OF THE UNIVERSE - UNTITLED

(I'M) MISUNDERSTOOD - INTERNATIONAL ROBOTS

  grading

RECORD NEAR MINT but (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

While the into-the-wind blare of the title cut was what people remembered best, 

the Saints' first album, (I'm) Stranded, had a lot more musical variety than it was generally 

given credit for in 1977, and the band stayed much farther from the standard 

punk template (which had solidified with remarkable speed in the wake of the Sex Pistols) 

on their second LP, Eternally Yours. Anyone looking for blazing 4/4 punk will find it 

in "Lost and Found" and "Private Affair," but the horn-fueled "Know Your Product" 

and "Orstralia" proved that punk could also sound soulful (Rocket from the Crypt 

owe their entire career to these cuts); the moody "A Minor Aversion," "Untitled," 

and "Memories Are Made of This" proved the Saints could slow it down and still 

sound tough and impassioned; and "This Perfect Day" is quite possibly the greatest song 

this band would ever record -- Chris Bailey's sneer of "It's so funny I can't laugh" 

is alone worth the price of admission. While Eternally Yours is a bit less consistent 

than (I'm) Stranded, the material is first-rate, the band sounds better than ever, 

and the approach suggests the pop-smart eclecticism of the band...(AllMusic)


 


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