THE SEEDS-FUTURE LP RARE Garage Rock PSYCH ORIG Crescendo Stereo VG+ Sky Saxon

$

27

AMAZING!!!! 

RARE VINYL COPY OF THE SEEDS CLASSIC ALBUM, FUTURE.  IT'S IN GREAT SHAPE AND SOUNDS AMAZING.

The Seeds were an American rock band. The group, whose repertoire spread between garage rock and acid rock, are considered one of the pioneers of punk rock.[1]

History[edit]

Lead singer Sky Saxon had a musical career that went back to pre-Beatle music days, when he recorded a few 45s under the name Richie Marsh. Born in Salt Lake City, he was based in Los Angeles from the early 1960s. The Seeds were formed in 1965 with Saxon joining as a response to an advertisement. Keyboardist Daryl Hooper was a major factor in the band's sound; the band was one of the first to utilize keyboard bass. Guitarists Jan Savage and Jeremy Levine withdrummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon is usually credited as bass player, he did not play bass on any of the Seeds' recordings. This was handled by session men, usually one Harvey Sharpe. On stage, keyboardist Daryl Hooper would handle the bass parts via a separate bass keyboard, in the same way as Ray Manzarek did with the Doors.

The Seeds' first single, "Can't Seem to Make You Mine", was a regional hit in southern California in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners. The band had their only national Top 40 hit, "Pushin' Too Hard", in 1966. Three subsequent singles, "Mr. Farmer" (also 1966), a re-release of "Can't Seem To Make You Mine" (1967), and "A Thousand Shadows" (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated and dominated by Saxon's vocal style and flair for simple melodic hooks, their first two albums are today considered classics of '60s garage music. A later album (Future, 1967) was full-blown psychedelic rock, with ornate flower-themed graphics to match, and another was devoted to the blues (with liner notes by Muddy Waters).

By mid-1968, with their commercial popularity flagging, the group's personnel began to change; the band was renamed "Sky Saxon and the Seeds" in 1969, by which point Bob Norsoph, guitar, and Don Boomer, drums, had replaced Savage and Andridge. Saxon continued to use the name "The Seeds", using various backup musicians, at least through 1972; the last major-label records of new material by The Seeds—two non-charting singles on MGM records—were released in 1970.

After the dissolution of the Seeds, Sky Saxon joined the Yahowha religious group, inspired by their leader Father Yod. Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the "Golden Sunrise" album by Fire Water Air, which was a Yahowha 13 off-shoot, and later recorded the "Yod Ship Suite" album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs "Lovers Cosmic Voyage" (credited to Sunlight) and "Live At The Orpheum" credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including Redd Kross and The Chesterfield Kings—before reforming the original Seeds in 1989 to headline "The Summer of Love Tour", along withBig Brother and the Holding Company, Arthur Lee and Love, The Music Machine, and The Strawberry Alarm Clock.

The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on Guitar and Dave Klein on keyboards. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health. Saxon remained the only original member of The Seeds, which continued to tour Europe and the United States. Sky Saxon died on June 25, 2009.[2]

Legacy and influence[edit]

On July 24, 2009, members of The Smashing Pumpkins, Love, and The Electric Prunes performed a tribute concert at the Los Angeles's Echoplex in memory of Sky Saxon.[3]

A documentary film about The Seeds has been prepared by GNP Crescendo Records President, Neil Norman, the son of the label's founder, Gene Norman. Filming began in 2007, and draws on first-hand knowledge of the band, interviews and concert footage. The film, Pushin' Too Hard, directed by Norman and produced by Alec Palao, is scheduled for theatrical and DVD release in 2014.[4][5]

Discography[edit]

Studio albums[edit]

• The Seeds 1966
• A Web of Sound 1966
• Future 1967
• A Full Spoon of Seedy Blues (as the Sky Saxon Blues Band) 1967
• Raw & Alive in Concert at Merlin's Music Box 1968
• Fallin Off the Edge 1977
• Bad Part of Town 1982
• Evil Hoodoo 1988
• Travel with Your Mind 1993
• Red Planet 2004
• Back to the Garden 2008
• The Seeds (reissued with unreleased tracks) 2012

 SIDE 1

         1. INTRODUCTION and MARCH OF THE FLOWER CHILDREN  2. TRAVEL WITH YOUR MIND  3. OUT OF THE QUESTION

         4. PAINTED DOLL  5. FLOWER LADY AND HER ASSISTANT  6. NOW A MAN

                         SIDE 2

         1. A THOUSAND SHADOWS  2. TWO FINGERS POINTIN' ON YOU  3. WHERE IS THE ENTRANCE WAY TO PLAY

         4. SIX DREAMS  5. FALLIN' 

I MADE NO ATTEMPT TO CLEAN THE RECORD OR THE COVER. The condition of the disc is MINT, NEW.  THE COVER AND SPINES ARE AMAZING! An amazing copy of this classic record. 

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**GRADING SCALE (COURTESY OF GOLD MINE):

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.

WOL --- Writing on label

WOJ --- Writing on jacket

WLP --- White label promo

GPS --- Gold promo stamp

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