THE STOOGES The Stooges LP ELEKTRA 1969 EKS-74051 STEREO US w/IGGY POP-JOHN CALE
£
40
$
53
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 1 KILOS.
WE COMBINED SHIPPING DISCOUNTS
WE ARE POSTING EVERYWHERE IN THE WORLD.
SO IN ORDER TO AVOID MISUNDERSTANDING WE ADVISE YOU TO ENQUIRE
ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM
FOR THESE ITEMS
WE’LL SHIP ONLY WITH REGISTERED MAIL
NO EXCEPTIONS PLEASE
PLEASE ASK FOR ANY INFORMATION
The STOOGES
RON ASHETON, DAVE ALEXANDER, IGGY POP, SCOTT ASHETON
Seminal Detroit proto-punks whose primitive, simple, and vicious music set
the template for a generation of volatile performers. During the psychedelic haze of the late '60s,
the grimy, noisy, and relentlessly bleak rock & roll of the Stooges was conspicuously out of time.
Like the Velvet Underground, the Stooges revealed the underside of sex, drugs, and rock & roll,
showing all of the grime beneath the myth. The Stooges, however, weren't nearly
as cerebral as the Velvets. Taking their cue from the over-amplified pounding of British blues,
the primal raunch of American garage rock, and the psychedelic rock
(as well as the audience-baiting) of the Doors, the Stooges were raw, immediate, and vulgar
"THE STOOGES"
Produced by JOHN CALE
1969 LP ELEKTRA RECORDS EKS-74051 STEREO
PRINTED IN USA ORIGINAL COPY (MAYBE 2ND PRESSING)
HEAVY DUTY CARDBOARD COVER
WITH COMPANY INNER SLEEVE
This version: shares the exact same matrix etchings as the very first pressings and the promo copies.
This was corrected on later pressings
This version pressed with the band's name on both labels and a large white ''E'' logo.
[Very first pressings, including white label promo copies
were pressed without the band's name on both labels]
Stereo is printed on the left side on the labels.
Includes the black Elektra company sleeve with pictures
of the new east coast company headquarters (on one side),
and the Elektra logo in gold (on the other side).
Elektra Records 1855 Broadway New York City 10023 is printed on both inner sleeves.
Barcode and Other Identifiers
LABEL: ELEKTRA - RED LABEL & LARGE WHITE 'E' LOGO - BLACK TEXT
Catalog on cover: EKS-74051
Catalog on labels: EKS-74051-A / EKS-74051-B
Matrix / Runout (Side A, Etched): EKS 74051 A -CP SS 41
Matrix / Runout (Side B, Etched): EKS 74051 B CP SS 41
On labels: All selections by The Stooges
Copyright © Paradox Music BMI
Produced by John Cale
rim text reads 'Elektra Records 1855 Broadway New York City'
On back cover: Also playable on mono phonographs
John Cale viola on We Will Fall
Production Supervisor / Jack Holzman
Photography / Joel Brodsky
Art Direction William S. Harvey
Special thanks to Danny Fields
Elektra Records 1855 Broadway New York City 10023
Printed in U.S.A.
from my records collection
tracklisting
Side A: 1969 - I WANNA BE YOUR DOG - WE WILL FALL
Side B: NO FUN - REAL COOL TIME - ANN
NOT RIGHT - LITTLE DOLL
grading
RECORD STRONG VG+, NEAR EX but (please, read above description)
SLEEVE VG(+) but (please, see pictures and read above description)
While the Stooges had a few obvious points of influence -- the swagger of the early Rolling Stones,
the horny pound of the Troggs, the fuzztone sneer of a thousand teenage garage bands,
and the Velvet Underground's experimental eagerness to leap into the void -- they didn't really sound
like anyone else around when their first album hit the streets in 1969.
It's hard to say if Ron Asheton, Scott Asheton, Dave Alexander, and the man then known as Iggy Stooge
were capable of making anything more sophisticated than this, but if they were, they weren't letting on,
and the best moments of this record document the blithering inarticulate fury of the post-adolescent id.
Ron Asheton's guitar runs (fortified with bracing use of fuzztone and wah-wah) are so brutal and concise
they achieve a naïve genius, while Scott Asheton's proto-Bo Diddley drums
and Dave Alexander's solid bass stomp these tunes into submission with a force that inspires awe.
And Iggy's vividly blank vocals fill the "so what?" shrug of a thousand teenagers
with a wealth of palpable arrogance and wondrous confusion...(AllMusic)
price rating