TIM BUCKLEY BLUE AFTERNOON RARE ORIGINAL '69 STRAIGHT LP 1A IN SHRINK STUNNING

$

26

WE CURRENTLY HAVE  NEARLY 100  LISTED ITEMS

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·      TIM BUCKLEY - BLUE AFTERNOON - ORIGINAL 1969 STRAIGHT RECORDS LP STS-1060

·      ORIGINAL U.S. PRESSING

·      ORIGINALRED/PINK/ORANGE/YELLOW STRAIGHT LABEL

·      WE CANNOT RECALL THE LAST TIME  IN OUR 53-YEAR RECORD-COLLECTING CAREER WE HAVE SEEN SUCH A PERFECTLY PRESERVED 56-YEAR OLD SLEEVE; IT IS SIMPLY FLAWLESS AND JUST ALL-AROUND PERFECT. NOT EVEN A SLIGHTEST TRACE OF THE RING WEAR, WHICH USUALLY AFFECTS THE VERY SUSCEPTIBLE BACK PANEL; EVEN THE SPINE, WHICH IS TYPICALLY COMPRESSED OR PRINTED ASYMMETRICALLY IS FORMED SO PERFECTLY THAT IT BOGGLES MIND. GRADED 11 OUT OF 10!

·      THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·      ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·      COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·      CLEAN, WEAR-FREE LABELS

·      THICK, HEAVY VINYL PRESSING

·      MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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What a beautiful record ,recorded at the same time as the more experimental "lorca" its hard not to see "blue afternoon" as a more commercially attuned counterpiece

The record basically continues on from the brilliant "Happy/Sad" - acoustic folk ballads fuelled by buckleys multi octave vocal and 12 string guitar and extended into jazzier waters via the pull of electric guitar,upright bass and vibes . Tims voice just floats along on the melancholy flow of the music and it is certainly a record to wallow in , a late night record to soothe youre uncertainties.

His band gives him fantastic support throughout ,listen to that bobbling bass on "happy time" or the shimmering cymbals and percussion work on the lovelorn sob of "i must have been blind" . Or the way time seems to suspend during the wonderful atmospherics of "the river" . There are times where buckley seems in a more playful mood such as "so lonely" and he closes with "the train" which grows into the areas that he would explore with "starsailor" where he used his voice as an instrument of its own rather than a vehicle for song whilst lee underwoods guitar produces intense passages. Its a terrific record and a f*cking travesty its no longer available on a separate CD.

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

Blue Afternoon was Tim Buckley's first self-produced record and his debut for Herb Cohen and Frank Zappa's Straight label. Buckley's first two albums were very much of their time and place, with their psychedelically tinged folk-rock compositions; naïve, romantic lyrical content; and moments of earnest protest. The introduction of acoustic bass and vibes into the arrangements on Happy Sad signaled a change in direction, however, and Blue Afternoon displayed similar jazz tendencies, using the same group of musicians plus drummer Jimmy Madison. Several tracks on Blue Afternoon are songs Buckley had intended to record on earlier albums but had not completed. The brooding "Chase the Blues Away" and the lighter, more upbeat "Happy Time," for instance, are numbers he had worked on in the summer of 1968 for possible inclusion on Happy Sad. (Demos can be heard on Rhino's Works in Progress album.) Here, as he did on Happy Sad, Buckley takes the folk song as his starting point and expands it, drawing on jazz influences to create new dynamics and to emphasize atmosphere and mood. This approach can be best appreciated on the mournful "The River," as simple acoustic guitar, cymbals, and vibes build a fluid, ebbing, and flowing arrangement around Buckley's beautiful, melancholy vocals. The period between 1968 and 1970 was an intensely creative one for Tim Buckley. Remarkably, during the same four weeks in which he recorded Blue Afternoon, he also recorded its follow-up, Lorca, and material for Starsailor. It's not surprising, then, that Blue Afternoon hints at Buckley's subsequent musical direction. While not in the experimental, avant-garde vein of the more challenging material on those next two albums, "The Train" foregrounds Lee Underwood's quietly intense, jazzy guitar and Buckley's vocal prowess, prefiguring the feeling of tracks like Lorca's "Nobody Walkin'" and Starsailor's "Monterey."

 (EXCERPT FROM AN ONLINE REVIEW BY WILSON NEATE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Of all moody, minor-key 1960's albums, this one - as the title suggest - has got to be one of the moodiest, most desolate and introvert of them all, certainly in terms of its overall texture, structure and form (contents, too). It also happens to be one of Tim Buckley's most beloved works and one of the true gems of the psychedelic singers/songwriters era. Done in one bold stroke during the summer of 1969 (the recording sessions also produced material for his "Lorca" album, for a different label - Elektra), Buckley recorded this gorgeous work just as he was contemplating the direction his music and his life were taking at this point. He apparently believed that he was needlessly being pushed into commercialism and he decided to take a 180-degree turn. Before he exploded into full-fledged hermeticism of the "Starsailor" (1970), he managed to record an album that everyone could - and would - love, and relate to. This is the music to drift away by. Music to meditate on the meaning of Cosmos, or - simply - music to watch people go by. A timeless piece of meditative, transcendent, luminous poetry, backed by an incredibly talented and competent, but also unobtrusive and subtle bunch of musicians. The original album, recorded for Frank Zappa's "Bizzare" label, sold a meager few thousand copies and promptly disappeared from the stores. Grab this great, legendary loner-folk psych album before someone else does!!

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·      CONDITION:

·      THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)         WE GRADE THE VINYL AS STRONG NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)         The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)         Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                          THE COVER

COVER IS STONE MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP  AND NOTHING SHORT OF ABSOLUTE PERFECTION, WITHOUT EVEN A HINT OF A FLAW OR DEFECT; A KIND OF BEAUTY YOU ONLY GET TO SEE ONCE IN A LIFETIME.

NO SIGNIFICANT FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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CRITICALLY IMPORTANT INFORMATION:

(A) All orders valued at $50.00 or more will be shipped fully insured against loss, damage or theft by ShipCover, eBay's contracted insurer, at our expense (B) Yes, we do combine items into a single shipment; in order to enable this feature, the winning bidders should WAIT until their last item of interest ends and ONLY THEN make a payment. Doing otherwise will result in multiple shipments to the same customer and forfeiture of multiple shipping charges already paid. (C) Because we do not play-grade our items, we do not know how the purchased item will play on the buyer's equipment. We can only make reasonable inference on the record's playing condition based on its visual appearance. (D) This seller will NOT cancel erroneous, frivolous and prank bids. The bidders can do so on their own, by visiting eBay's Site Map, then clicking on Bid Retractions link. (E) This seller does not specifically grade or describe certain items, such as: shrink (cellophane) wrap and accompanying extras (inserts, booklets, etc.); however, the presence of these items WILL be noted and accompanied by the gallery photo(s). (F) Please do not submit any bids on our items if you have insufficient user history. (G) Other than in very rare justified cases, failure to pay for the item you won amounts to a fraud and will result in a permanent ban on bidding on our future listings. (H) We will NEVER deliberately, knowingly or willingly provide a false, deceitful or misleading information.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE (POSTAGE INCLUDED) WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; STILL SEALED ITEMS MUST BE RETURNED SEALED IN ORDER TO BE ELIGIBLE FOR A REFUND.   NO EXCEPTIONS!

FINE (BUT IMPORTANT!) PRINT

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, the text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. (5) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner; please avoid puerile, offensive, abrasive or menacing language (6) This seller will accommodate all reasonable requests and - unless seriously molested - is generally a flexible, pragmatic and agreeable person.

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