The Byrds 1968 Sweetheart Of The Rodeo 360 Sound Columbia Records Lp mint-
    88
  $   102

 


€ 88 Sold For
Apr 2, 2023 Sold Date
Mar 23, 2023 Start Date
23   Number Of Bids
  Germany Country Of Seller
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The Byrds 1968 Sweetheart Of The Rodeo 360 Sound Columbia Records Lp mint-

Beschreibung

intern 13

1968 CLEAN ORIGINAL 360 Sound Columbia Records            

         

                                                            

                   The Byrds

      Sweetheart Of  The Rodeo

     

\                                              USA - 360 Sound COLUMBIA RECORDS - CS 9670

Matrix / Runout (Side A runout etched, ): XSM136653-1C
Matrix / Runout (Side B runout etched, ): XSM136654-1C

vinyl mint- playtested, plays awesome
cover mint- to vg++

Very rare 1968 ORIGINAL vinyl on the highly sought after 360 Sound label of the sixties ... The Byrds album that joins up with GRAM PARSONS...

Fans of the Byrds’ psychedelic brand of folk-rock were left baffled by the band’s sudden about face in the direction on Sweetheart of the Rodeo. Many wondered how the same band that recorded the ’60s drug anthem “Eight Miles High” could suddenly end up singing “I Love The Christian Life” without any hint of sarcasm. Ahead of its time, Sweetheart of the Rodeo was a groundbreaking act of rebellion away from the classic rock sound of its day, entirely different from anything the Byrds (or anyone else) had recorded before.

The catalyst in the birth of the new Byrds sound was the addition of Southern-born singer-songwriter Gram Parsons, who replaced David Crosby on vocals and guitar. Responding to the influence of Parsons, Bryds front man Roger McGuinn packed up his trademark 12-string guitar, picked up the banjo, and took the band into the recording studio in Nashville. What resulted was an album filled with solid rural graces–syrupy slide and twangy rhythm guitars, though gorgeous harmonies were the main ingredient still remaining from the Byrds earlier musical incarnations.

In a slight nod towards tradition, the album opens up strongly with a Dylan cover, a spectacular Nashville-infused reworking of “You Ain’t Going Nowhere.” The Bob Dylan songbook is pillaged once more on the album’s climactic closing cut, a rural-rocking version of “Nothing Was Delivered,” replete with crashing drum cymbals and steel guitars. While the two Dylan cuts clearly take top honors, the pair of Parsons-penned originals are just as great. Parsons’ classic rendition of “Hickory Wind” is as arresting as a good swig of Southern Comfort. Due to ridiculous contractual troubles, Columbia Records had Parsons’ lead vocals removed from several of the record’s cuts, bringing McGuinn back into the studio to overdub new voice tracks. Comparing the Parsons and McGuinn versions of “I Like the Christian Life,” it’s obvious that McGuinn was affecting a Southern drawl in order to overdub his best Parsons impersonation.

Despite its winning brilliance, sales of Sweetheart of the Rodeo were lackluster compared to earlier Byrds records. Over 40 years later, we can step back and realize that Sweetheart of the Rodeo was a deliberate act of musical defiance exemplifying the true spirit of Rock and Roll.


Roger McGuinn - acoustic guitar, banjo, vocals Chris Hillman - electric bass, mandolin, acoustic guitar, vocals Gram Parsons - acoustic guitar, piano, organ, vocals Kevin Kelley - drums                              You Ain’t Going Nowhere (Dylan) - 2:33 I Am a Pilgrim  - 3:39 Christian Life - 2:30 You Don’t Miss Your Water  - 3:48 You’re Still on My Mind  - 2:25 Pretty Boy Floyd  - 2:34 Hickory Wind  - 3:31 One Hundred Years from Now  - 2:40 Blue Canadian Rockies - 2:02 Life in Prison  - 2:46 Nothing Was Delivered (Dylan) - 3:24

 

 

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