The Mars Volta "Amputechture" 2x LP At the Drive In Thrice Coheed and Cambria

$

150

The Mars Volta "Amputechture" 2x LP Gold Standard Laboratories (US) 

Vinyl is NM, Jacket is VG+!

Out of Print

Track Listing:

The Mars Volta were an American progressive rock band from El Paso, Texas, formed in 2001. The band's final lineup consisted of Omar Rodríguez-López (guitar, producer, direction), Cedric Bixler-Zavala (vocals, lyrics), Juan Alderete (bass), Marcel Rodriguez-Lopez (keyboards, percussion) and Deantoni Parks (drums). The band formed following the break-up of Rodriguez-Lopez and Bixler-Zavala's previous band, At the Drive-In. They are known for their energetic live shows and their concept albums.

In 2009, the band won a Grammy Award in the "Best Hard Rock Performance" category for the song "Wax Simulacra." In 2008, they were named "Best Prog-Rock Band" by Rolling Stone magazine.

In September 2012, it was announced that The Mars Volta had entered a hiatus, with Rodríguez-López and Parks forming a new project, Bosnian Rainbows. Four months later, the band announced their breakup.

Frances the Mute (2005)

As the band resumed touring to support De-Loused, they added Marcel Rodríguez-Lopez (Omar's brother) on percussion. Work on their second album began in 2004. That year the band received the American Society of Composers, Authors and Publishers Vanguard Award.

In 2005, the band released Frances the Mute. The story given by the band on the album's concept concerns a diary that had been found in a repossessed car by late sound technician Jeremy Ward, while working as a repo-man. The author of the diary is unknown but appeared to be someone who was adopted and was searching for their birth parents, and who may have suffered from mental illness caused by the death of a loved one. The lyrics for each track on the album are loosely based on characters and life events described in this person's diary.

Frances the Mute started as a bigger commercial hit than De-Loused, moving 123,000 copies in its first week, and debuting at No. 4 on the Billboard album charts. Reviews of Frances were generally positive (with a 75 on Metacritic) if somewhat polarized; Rolling Stone called it "a feverish and baroque search for self that conjures up the same majesty and gravity as Led Zeppelin three decades before", and even the detractors of Frances the Mute generally praised the band's musical abilities. "L'Via L'Viaquez" was later released as a single, stripped down from its original 12-minute length to five minutes. Frances the Mute has sold nearly 465,000 copies in the United States, according to Nielsen SoundScan ratings.[17]

Rodriguez-Lopez wrote all of the instrumental parts as well as arranging and producing the recording sessions himself. He used a method that Miles Davis used to evoke great performances from bandmates: refusing to let the other members hear each other's parts, or the context of their own part, thereby forcing them to play each part as if it were a self-sufficient song. In order to accomplish this, the musicians recorded to the pulse of a metronome.[citation needed] While in the studio, Rodriguez-Lopez recruited Adrián Terrazas-González to play saxophone, flute, and additional wind instruments for the album. Terrazas-González was added as a permanent member to The Mars Volta while touring in support of Frances the Mute.

Several songs written during the original recording sessions for the album never made the final cut. Notably, the self-titled 14-minute epic "Frances the Mute", which was originally to open the album and was ultimately supposed to decode the album's concept, was not included due to time constraints. Instead the track was featured as a b-side to the single release for "The Widow". .

On May 20, 2005, instead of playing a traditional set at KROQ's Weenie Roast Festival, the band played a 50-minute improvisation jam that was jokingly named on-the-spot as "Abortion, The Other White Meat" by Rodriguez-Lopez. In keeping with The Mars Volta tradition of testing and developing new work live, parts of "Abortion" later appeared on "Population Council's Wet Dream" from Rodriguez-Lopez's 2009 album Old Money.

Mid-way through their headlining U.S. tour, former At the Drive-In member Paul Hinojos left the band Sparta to join The Mars Volta, claiming, "My time with Sparta has run its course, and simply wasn't fun anymore." Hinojos joined as rhythm guitarist and became the band's sound manipulator, the position previously held by the late Ward. Hinojos had previously toured with The Mars Volta in 2003 and 2004.

During mid-2005, the band toured in support of the album with System of a Down and curated the All Tomorrow's Parties festival at Camber Sands in England. In addition, a full-length live album named Scabdates was released on November 8, 2005.

Amputechture (2006–2007)

Upon finishing the majority of touring for Frances the Mute in fall 2005, Rodriguez-Lopez traveled to Amsterdam and wrote what became Amputechture, which was released on September 8, 2006 in Europe, on September 9, 2006 in Australia and on September 12, 2006 in the U.S. Rodriguez-Lopez spent much of his time in Amsterdam working on and performing various solo projects most notably under the name "Omar Rodriguez Quintet." During this time Rodriguez-Lopez also composed the score to the film El Búfalo de la Noche, which was written and directed by Guillermo Arriaga and Jorge Hernandez Aldana respectively. The Mars Volta as a whole performed the score.

Amputechture was produced by Rodríguez-Lopez and mixed by Rich Costey. Jeff Jordan provided the artwork, making it their first album not to feature the work of Storm Thorgerson. It was once again a concept album, but rather than telling a story, the album was a series of vignettes, with each song telling a different story. It became the last album with drummer Jon Theodore, whom Rodriguez-Lopez fired before touring in support of the album. Rodriguez-Lopez said in an interview with an Italian fan site that Theodore was the only member in the band who wasn't happy playing live and brought down the moods of the rest.

John Frusciante was featured on every track on Amputechture, except for "Asilos Magdalena." Rodríguez-Lopez contributed the solos and riffs where the guitar work needed to be doubled. Bixler-Zavala said in an interview, "...he taught Frusciante all the new songs and Frusciante tracked guitars for us so Omar could sit back and listen to the songs objectively. It's great that he wants to help us and do that."

On July 28, 2006, the drummer's spot was filled by Blake Fleming, formerly of Laddio Bolocko, Dazzling Killmen, and the very first Mars Volta demos. A new song titled "Rapid Fire Tollbooth" was debuted live on September 22, 2006 in Chicago, Illinois, as reported by fans and attendees of the show who had received set lists from the stage. The song originally appears on Rodriguez-Lopez's solo album Se Dice Bisonte, No Bufalo. The song eventually evolved into the track "Goliath" from the band's fourth studio album.

On September 25, 2006, The Mars Volta played a unique set on the opening night of a double-header in Toronto, Ontario. Cedric Bixler-Zavala fell ill and could not perform, so The Mars Volta played with John Frusciante on third guitar. The set consisted of over 47 minutes of instrumental material, including a lengthy cover of the Pink Floyd composition "Interstellar Overdrive." On October 17, 2006, while opening for the Red Hot Chili Peppers in East Rutherford, New Jersey, the band played with drummer Deantoni Parks as Rodriguez-Lopez had fired Fleming because of complications within the band. Parks remained with the band only until the conclusion of the Japanese tour because of his prior commitments with other bands. On October 31, 2006 in Cleveland, Ohio, as Parks couldn't perform, The Mars Volta played approximately 40-minute improvisation set as a rehearsal for another drummer, Thomas Pridgen.

On a 2006 episode of The Henry Rollins Show, The Mars Volta performed "Tetragrammaton" and "Day of the Baphomets" in a rare television performance. Afterwards, they did an interview with Rollins about the creation of Amputechture.

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