The United States Of America Edsel ED-233 A1/B1 UK reissue 1987
£
50
$
66
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Description
The United States Of America 'The United States Of America' Edsel Records ED 233 UK reissue Vinyl, LP, reissued in 1987.
The vinyl appears to have been lightly played and is in great condition. It played through beautifully on my stereo - no skip or stick. It is housed in its original sleeve, which has some light ring-wear, but which is, otherwise in good condition - no rips or writing. The spine is intact and legible. Matrix / Runout Side One : ED 233-A1 Sorry Man, I Don't Smoke Straights Matrix / Runout Side Two : ED 233-B1
The United States of America was an American psychedelic rock band founded in Los Angeles in 1967 by composer Joseph Byrd and vocalist Dorothy Moskowitz, with electric violinist Gordon Marron, bassist Rand Forbes and drummer Craig Woodson. Their 1968 self-titled album, often cited as an early showcase for the use of electronic devices in rock music, was met with critical acclaim and minor chart success. They disbanded shortly after its release.
The group's sound was grounded in both psychedelia and the avant-garde. Unusually, the band had no guitar player; instead, they used strings, keyboards and electronics, including primitive synthesizers, and various audio processors, including the ring modulator. Many of the songs' lyrics reflected Byrd's leftist political views. AllMusic described them as "among the most revolutionary bands of the late '60s."
The album was described by critic Richie Unterberger as "a near classic", "a tour de force (though not without its flaws) of experimental rock that blended surprisingly melodic sensibilities with unnerving blasts of primitive synthesizers and lyrics that could range from misty romanticism to hard-edged irony. For the relatively few who heard it, the record was a signpost to the future with its collision of rock and classical elements, although the material crackled with a tension that reflected the United States of America itself in the late '60s." Describing Moskowitz's vocals as "reminiscent of an icier Grace Slick", he also said that the electronic textures crafted by Byrd "were not simulations of strings and horns, but exhilarating, frightening swoops and bleeps that lent a fierce crunch to the faster numbers, and a beguiling serenity to the ballads."
According to Unterberger, "the very fact that the equipment was so primitive... lent a spontaneous resonance and warmth that has rarely been achieved by subsequent synthesizer technology."
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