Walter Zimmermann Lokale Musik Theater Am Turm Edition 3 Record Set 1982
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Walter Zimmermann ?– Lokale Musik Label: Theater am Turm Edition ?– TAT 8201/3 Format: 3 × Vinyl, LP, Album Country: Germany Released: 1982 Genre: Classical Style: Contemporary Tracklist A Ländler-Topographien (Phran) 20:00 B Ländler-Topographien (Topan) 21:05 C Leichte Tänze 29:00 D Wolkenorte 25:05 E Stille Tänze 22:15 F1 Epilog: Der Tanz Und Der Schmerz 08:12 F2 Prolog: Ephemer 18:20 Credits Cello – Manuel Gerstner (tracks: C, E, F1, F2) Clarinet – John Corbett (2) (tracks: C, F1), Michael Riessler (tracks: C, F1) Conductor – Cristobal Halffter* (tracks: A, B), Walter Zimmermann (tracks: F1) Contrabass – Martin Ingenhütt (tracks: C, F1) Dulcimer [Hammered] – John McAlpine (tracks: F1) Guitar [Acoustic] – Hubert Machnik (tracks: C, F1) Harp – Gabriele Emde (tracks: D, F1) Instruments [Bowed Glas Harmonica] – Hubert Machnik (tracks: E) Orchestra – Radio-Symphonie-Orchester Frankfurt* (tracks: A, B) Percussion – Martin Schulz (tracks: E) Piano – Deborah Richards (tracks: F), John McAlpine (tracks: E) Trombone – Stephan Sauvageot (tracks: E, F1) Trombone [Alto] – Stephan Sauvageot (tracks: F1) Trumpet – Bruno Piroth (tracks: C, F1) Viola – Horst Enger (tracks: C, E, F1) Violin – Gerhard Köhn (tracks: C, E, F1), Konstantin Gockel (tracks: C, E, F1, F2) Voice – Gabriele Emde (tracks: F1), Martin Schulz (tracks: E, F1) Notes Dates of recording: Prolog - 18 Feb. 1982, Ländler Topographien - 28 March 1981, Leichte Tänze - 9 Feb. 1982, Wolkenorte - 10 Jan. 1982, Epilog - 9 Jan. 1982.
"Prolog - Ephemer" is in fact the first part of the work.
Walter Zimmermann (born Schwabach, Germany, April 15, 1949) is a German composer associated with the Cologne School.
Zimmermann studied composition in Germany with Werner Heider and Mauricio Kagel, the theory of musical intelligence at the Institute of Sonology in Utrecht (now located in The Hague), and computer music at Colgate University in New York.
Zimmermann's works are infused by a personal adaptation of minimal technique. Whereas many early American minimalist composers were influenced in their works by rock, jazz, and world musics, Zimmermann has drawn a great deal of inspiration from his Franconian heritage. A number of his works, particularly his groups of pieces known as Lokale Musik, use the traditional music of this area as source material. These works frequently begin with melodic material derived from Franconian folk songs, which are rearranged and transformed in novel ways.
In 1976, Zimmermann published a collection of interviews with American musicians and composers entitled Desert Plants: Conversations With 23 American Musicians.
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