Xenakis: Anaktoria+Morsima-Amorsima experimental microtonal computer-composed
  $   20

 


$ 20 Sold For
Jun 23, 2016 Sold Date
Jun 13, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Iannis Xenakis: Anaktoria (1969 octet for 2 violins, bassoon, cello, clarinet, double bass, french horn, viola); Morsima-Amorsima (1962 quartet for piano, violin, cello, double bass) label & cat. no.:classic evolution 920 217 pressed in:France date:undated format:LP Vinyl: vg+ (few minor unfeelable scuffs)
Cover: nm- (minor wrinkle/lamination bubbling)

description:
Scarce 1970s lp with 2 essential experimental pieces by Xenakis performed by L'Octuor De Paris. Though Xenakis never fully embraced microtonality, the rarely-heard Anaktoria is his most microtonal composition, making stunning and extensive use of quarter tones, third tones, and glissandi; it was composed specifically for L'Octuor De Paris. Morsima-Amorsima, one of the first ever computer-composed pieces, was made using calculus functions of the IBM 7090 mainframe computer (the same machine used by John R. Pierce, Max Mathews, Newman Guttman, and James Tenney at Bell Labs to create the earliest computer-synthesized music).

artist info from album notes etc.:
Xenakis was a Greek architect and composer who worked with Le Corbusier and brought the mathematics and logic of engineering into his "stochastic" music; he studied under Darius Milhaud, Arthur Honegger, and Olivier Messiaen, was influenced by Karlheinz Stockhausen and John Cage, worked with Pierre Schaeffer (at the INA-GRM studios), Lukas Foss, and Pierre Boulez, and is associated with fellow eastern europeans Gyorgy Ligeti and Krzysztof Penderecki. Should be of interest to fans of microtonal composers like Harry Partch, Ivan Wyschnegradsky, Lou Harrison, La Monte Young, Ben Johnston, Easley Blackwood, Glenn Branca, Alvin Lucier, Pauline Oliveros, Terry Riley, Charles Ives, Alois Haba, Julian Carrillo, Emil Richards, Joe Maneri, Teo Macero, James Tenney, Rhys Chatham, and Tony Conrad.

Check out my other items for more early electronic, synth, concrete, electroacoustic, avant garde, experimental, noise, free jazz/improv, artist records, contemporary classical, audiophile, kraut, prog, and other unusual vinyl.

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