ZOMBIES LIVE AT BBC SEALED ORIGINAL 1983 RHINO MONO LP

$

210

    
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·       THE ZOMBIES – LIVE AT THE BBC –  ORIGINAL 1985 RHINO RECORDS MONO LP RNLP-120

·       ORIGINAL U.S. PRESSING

*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***

·       BELIEVED TO BE PRESSED ON THE ORIGINAL YELLOW RHINO LABEL WITH A ‘RHINO’ LOGO, EARLY ‘80s STYLE

·       THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.

·       TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Like a majority of up-and-coming British bands of the 1960s, the Zombies made nearly two dozen BBC Light and Radio 1 transmissions between the fall of 1964 and the spring of 1968. The 29 cuts hail from a variety of those programs. In many cases their alternate persona as a consummate and immensely soulful cover combo is likewise illuminated. The parenthetical "bonus tracks" moniker may be seen as somewhat of a misnomer, since this volume is in essence the fourth ("Live on the BBC") volume of the remarkably thorough and highly recommended Zombie Heaven (1997) four-CD compilation. The contents are presented in a relatively chronological manner, commencing with one of the group's earliest shots (if not the earliest shot) on Saturday Club, broadcast on October 3, 1964. The obligatory plug of their own "She's Not There" and "You Make Me Feel Good," coupled with a fiery take of Bo Diddley's "Road Runner" and Little Richard's "Early One Morning," most reveal the quintet's passion. That becomes a prominent motif throughout, resulting in some of the Zombies' best and most spirited performances during their all too brief history. Other practically compulsory listens include their rendering of "I'm Going Home," Henry Glover's "Soulsville," and an additional Little Richard number, "Rip It Up," which is reworked into a masterful fusion of pop and rock guilded with hints of jazz. Billy Stewart's "Sitting in the Park" and the gorgeous rendering of Bacharach and David's "The Look of Love" are among the other zeniths. The latter boasts what may be Colin Blunstone's finest vocal with this aggregate. The mind boggles that it was not crafted into some kind of official studio release. In terms of originals, there are two inspired takes of "Tell Her No" -- one highlighted by Rod Argent on acoustic piano -- as well as an absolutely riveting and blistering reading of "What More Can I Do" from a late January 1965 Saturday Club session. The "Kenny Everett Show Jingle-Medley " is taken from a pair of appearances by Argent and Chris White from April of 1968. Sadly, this is the only material circa Odessey & Oracle (1968), as they had already broken up by the time the album was issued. Live at the BBC is essential for enthusiasts and the curious. Those not in need of the massive aforementioned Zombie Heaven can easily couple this title with any number of the single or double-disc anthologies to achieve a copious collection of the Zombies' pre-Odessey & Oracle output.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)

(b)            The record is  apparently pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        Cover has a few tiny wrinkles along the spine (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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