BOB DYLAN: BOOTLEG SERIES VOL. 4 1966 (CLASSIC RECORDS)

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BOB DYLAN: BOOTLEG SERIES VOL. 4 1966

Classic Records/Sony Legacy C2K 65759-1

CLASSIC RECORDS FIRST PRESSING (NUMBERED, 180 GRAM)

2 LPs – 180 GRAM

ORIGINAL RELEASE WAS NUMBERED (#308)

Includes:

56-page, 12 by 12 deluxe book with exclusive photos

CONDITION: SEALED (TEARS IN SHRINKWRAP BUT NO DAMAGE TO BOX)

ABOUT CLASSIC RECORDS

This 180 gram pressing is the only way to verify that a 1st edition Collectors find from Classic Records mastered on a high-definition Virgin Vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard and of superior quality for any Audiophile. Classic Records has proven to be an audiophile company the best in the new millennium.

The only way you will get closer to this classic music is to listen to the master tapes or have been in the studio with the artist originally during the actual session.

You will be one of the last people in the world to own these 1st Edition Masterpieces.

There have been so few vinyl LPs produced over the last 5 years that you should never pass up the opportunity to upgrade your collection. They are each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

Bob Dylan - Bootleg Series Volume 4 Live 1966 

Personnel

Bob Dylan - Vocals, Guitar, Harmonica

Joan Baez - Vocals

The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a complete recording of Bob Dylan's October 31, 1964 "Halloween" show at New York's Philharmonic Hall. It was released in 2004.

The set list was dominated by Dylan’s protest songs, including "The Times They Are a-Changin’," "A Hard Rain’s a-Gonna Fall," and "The Lonesome Death of Hattie Carroll". Joan Baez, a major supporter of Dylan's in his early career, duets with Dylan on three songs, as well as singing another alone ("Silver Daggers"). However, Dylan performed these songs alongside early versions of three songs from the soon-to-be-recorded Bringing It All Back Home. New compositions like "It’s Alright Ma (I’m Only Bleeding)" and "Mr. Tambourine Man" showed Dylan moving in a new direction, becoming more immersed in evocative, stream-of-consciousness lyrics and moving away from social, topical songwriting. Even as he was moving in this new direction, Dylan was still portrayed as a symbol of the civil rights and anti-war movements, and the Halloween concert of 1964 caught Dylan in transition.

The album debuted on the Billboard 200 album chart on April 17, 2004 at number 28. It spent 4 weeks on the chart. It also reached number 33 in the U.K.

The most famous bootleg in rock history, with the possible exception of Dylan's own Basement Tapes, finally made its official appearance 32 years after the event and nearly 30 years after it started circulating underground.

Although often identified as a Royal Albert Hall show, this May 17, 1966 concert, in which Dylan played electric material in front of a British audience, was actually recorded in Manchester (hence the unwieldy title with quotes around "Royal Albert Hall"). Even those who've owned this recording for many years should be tempted by this official package, as it has been expanded to include the eight electric rock songs from the original bootleg but also the seven solo acoustic performances that comprised the first half of the show. It's all in great fidelity. More importantly, the electric half in particular is an important document of rock history. It captures the point at which Dylan was at his most controversial and hard rocking as he blazes through mid-'60s classics such as "Like a Rolling Stone" and "Ballad of a Thin Man." On top of everything else, there's a 56-page booklet with a fine essay by Dylan's friend Tony Glover.

Transferred from the half-inch analog mix-down masters and cut on Classic's "all tube" cutting system by Bernie Grundman.

Tracks:

All songs written by Bob Dylan, except where noted.

An asterisk (*) marks a performance with Joan Baez.

1. The Times They Are A-Changin' – 3:29
2. Spanish Harlem Incident – 3:07
3. Talkin' John Birch Paranoid Blues – 4:06
4. To Ramona – 6:01
5. Who Killed Davey Moore? – 4:46
6. Gates of Eden – 8:32
7. If You Gotta Go, Go Now (Or Else You Got to Stay All Night) – 4:06
8. It's Alright, Ma (I'm Only Bleeding) – 11:26
9. I Don't Believe You (She Acts Like We Never Met) – 4:01
10. Mr. Tambourine Man – 6:33
11. A Hard Rain's A-Gonna Fall – 7:44
12. Talkin' World War III Blues – 5:52
13. Don't Think Twice, It's All Right – 4:34
14. The Lonesome Death of Hattie Carroll – 6:57
15. Mama, You Been on My Mind – 3:35*
16. Silver Dagger w/Joan Baez (Traditional) – 3:47*
17. With God on Our Side – 6:17*
18. It Ain't Me, Babe – 5:11*
19. All I Really Want to Do – 4:01

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