JAMES BROWN Hot Pants POLYDOR FROM71-GREAT STUDIO CHATTER BETWEEN BROWN AND BAND
$
25
$ 25
Sold For
Feb 5, 2015
Sold Date
Jan 8, 2015
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
Sold at
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Description
JAMES BROWN Hot Pants POLYDOR FROM71-GREAT STUDIO CHATTER BETWEEN BROWN AND BAND
A MINT MINUS LP ON POLYDOR 4054
FROM 1971 IN STEREO
PRODUCED BY JAMES BROWN
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Brown left his label King after 12 successful, if not always peaceful, years. Hot Pants marks his first effort for Polydor, a bigger outfit that was able to give him a larger budget, better presentation, and, most importantly, artistic freedom. The original set of the J.B.'s with Bootsy Collins had dissolved, and Brown and his newer band had only been together for a few months. Although the original J.B.'s were more rock-based and fiery, Hot Pants proves that the reformed band was more ductile. It was at this point where trombonist Fred Wesley became the bandleader and the band became even more efficient than the earlier group. The leisurely "Blues and Pants" has a great bass pattern from Fred Thomas and Wesley's sly horn charts. "Can't Stand It" is a busier take on the 1968 hit "I Can't Stand Myself." The most recognizable track is the title song, though the version heard here is less potent than the complete take (featured on "Escape-ism," the early-'90s CD reissue of Hot Pants, clocking in at 19-plus minutes). While that might be cause for alarm for some, it is truly instructive. The track goes to the bridge, stays there, and has great studio chatter between Brown and his band and solos from Wesley and saxophonist St. Clair Pinckey. This album features only four tracks and is basically Brown getting acquainted with his new band, but the camaraderie makes it worth listening to.
COVER STOCK WITH OBVIOUS RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. EDGES WITH SOME FRAYING AND SMALL OUTER LAYER LOSSES. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
SPINDLE HOLE WITH SOME LIGHT RUB MARKS. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.
?PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
PLEASE READ THE FINE PRINT CONDITIONS OF SALE BEFORE BIDDING & BUYING:
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DOMESTIC: Free USPS Media Mail with tracking. USPS 1 day Priority Express or 2-3 day Priority available-excess postage refunded. 586 (GS 6.8 (586))
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