JOE SAMPLE / RAY BROWN / SHELLY MANNE, The Three JAPAN DIRECT CUT LP
  $   20

 


$ 20 Sold For
Nov 14, 2017 Sold Date
Nov 8, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

  Joe Sample / Ray Brown / Shelly Manne ?– The Three Label: East Wind ?– EW-10001 Format: Vinyl, LP, Album, Gatefold  Country: Japan Released: 1976 Genre: Jazz Style:   TracklistHide Credits A1 Yearnin' Composed By – Oliver Nelson 5:04 A2 On Green Dolphin Street Composed By – B. Kaper*, N. Washington* 5:17 A3 Satin Doll Composed By – B. Strayhorn*, D. Ellington*, J. Mercer* 5:38 B1 Manha Do Carnaval Composed By – A. Maria*, F. Llenas*, L. Bonfa* 5:59 B2 Round About Midnight Composed By – B. D. Hanighen*, C. Williams*, T. Monk* 4:34 B3 Funky Blues Composed By – J. Sample*, R. Brown*, S. Manne* 5:10 Companies, etc. Manufactured By – Nippon Phonogram Co., Ltd. Distributed By – Nippon Phonogram Co., Ltd. Recorded At – Warner Brothers Studios, Burbank Credits Bass – Ray Brown Design [Album] – Heyqlow Kobayashi Drums – Shelly Manne Engineer [Cutting] – Bobby Hata Engineer [Maintenance] – Al McPherson Executive-Producer – Toshinari Koinuma Liner Notes – Chiaki Iwasaki, Yozoh Iwanami* Mixed By – Lee Herschberg Photography By [Cover] – Masaaki Tagekami Photography By [Liner] – Frederic Golchan Piano – Joe Sample Producer – Kiyoshi Itoh, Yasohachi Itoh Notes Recorded November 28, 1975 at Warner Brothers Studio, L.A.  Presented by Ai Music Co., Ltd. Tokyo  Manufactured and Distributed by Nippon Phonogram Co, Ltd. Tokyo ?1976 Printed in Japan  Direct Cutting  

JAPAN DIRECT TO DISC DIRECT CUT VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL ANTI-STATIC INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.

DISC[S]: VERY GOOD+. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



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