LXT 5573 – Sir Malcolm Sargent – The Instruments Of The Orchestra – Decca Ora...

	£		16
	$		21

LXT 5573 – Sir Malcolm Sargent – The Instruments Of The Orchestra – Decca Orange & Silver

LXT 5573 – Sir Malcolm Sargent – The Instruments Of The Orchestra – Decca Orange & Silver

Condition: VG / VG+

1A/3A Pressing, Grooved, orange & silver labels. Includes illustrated 16-page booklet.

Composed By – Paganini
Violin – Max Salpeter

Composed By – Delibes
Violin – Max Salpeter

Composed By – Balfour-Gardiner
Viola – Frederick Riddle

Composed By – Mozart
Viola – Frederick Riddle

Cello – Douglas Cameron
Composed By – Elgar

Cello – Douglas Cameron
Composed By – Saint-Saëns

Composed By – Saint-Saëns
Double Bass – Stuart Knussen

Composed By – Verdi
Double Bass – Stuart Knussen

Composed By – Wagner
Horn – Douglas Moore

Composed By – Mendelssohn
Horn – Douglas Moore

Composed By – Jeremiah Clarke
Trumpet – William Overton

Composed By – Rimsky-Korsakov
Trumpet – William Overton

Composed By – Stravinsky
Trumpet – William Overton

Composed By – Mozart
Trombone – Alfred Flaszynski

Composed By – F. Graffe
Trombone – Alfred Flaszynski

Composed By – Vaughan Williams
Tuba – N. Walker

Composed By – Wagner
Tuba – N. Walker

Composed By – Mendelssohn
Flute – Douglas Whittaker

Composed By – Fauré
Flute – Douglas Whittaker

Composed By – Godard
Flute – Douglas Whittaker

Composed By – Briccialdi
Piccolo Flute – Arthur R. King

Composed By – Corelli
Oboe – Janet Craxton

Composed By – Tchaikovsky
Oboe – Janet Craxton

Composed By – Rossini
Cor Anglais – Horace Green

Composed By – Wagner
Cor Anglais – Horace Green

Clarinet – Jack Brymer
Composed By – Weber

Bass Clarinet – Jack Brymer
Composed By – Wagner

Clarinet [E Flat Clarinet] – Jack Brymer
Composed By – Richard Strauss

Bassoon – Gwydion Brooke
Composed By – Weber

Composed By – Dohnanyi
Contrabassoon [Contra Bassoon] – Alfred G. Butler

Composed By – Britten
Timpani – Eric Pritchard

Timpani – Eric Pritchard

Composed By – Elgar
Timpani – Eric Pritchard

Composed By – Shostakovich
Timpani – Eric Pritchard

Drum [Side Drum] – Gilbert Webster

Bass Drum – Gilbert Webster

Cymbal – Gilbert Webster

Cymbal – Gilbert Webster

Cymbal – Gilbert Webster

Triangle – Gilbert Webster

Tambourine – Gilbert Webster

Castanets – Gilbert Webster

Temple Block – Gilbert Webster

Percussion [Chinese Block] – Gilbert Webster

Percussion [Whip] – Gilbert Webster

Bells [Jingle Bells] – Gilbert Webster

Tom Tom – Gilbert Webster

Gong – Gilbert Webster

Bells [Tubular Bells] – Gilbert Webster

Composed By – Wagner
Glockenspiel – Gilbert Webster

Vibraphone – Gilbert Webster

Arranged By – Respighi
Composed By – Rossini
Xylophone – Gilbert Webster

Celesta – Arthur Sandford
Composed By – Tchaikovsky

Composed By – Dussek
Harp – Ossian Ellis

Composed By – Ravel
Harp – Ossian Ellis

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Grading

Wax uses the Goldmine Standard for grading the condition of items for sale. All records are graded carefully to ensure you know what you’re getting.

All items are graded visually, with the vinyl grading shown first followed by the sleeve grading.

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed. This is used extremely sparingly as a grade, if at all.

Near Mint (NM or M-)

A nearly perfect record. Many dealers won’t give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

Very Good Plus (VG+)

A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don’t affect one’s listening experiences. Slight warps that do not affect the sound are “OK”. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

Very Good (VG)

Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

Good (G), Good Plus (G+)

Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it’s a common item, you’ll probably find another copy in better shape eventually. Pass it up. But, if it’s something you have been seeking for years, and the price is right, get it…but keep looking to upgrade.

Poor (P), Fair (F)

The record is cracked, badly warped, and won’t play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.