OTIS REDDING Collectors 8 FACTORY SEALED HEAVY VINYL LIMITED EDITION LP Set

$

350

Otis Redding All factory Sealed  and all on audiophile HEAVY VINYL Virgin Vinyl Lps (except the rare out of print Otis Lp Pain in Your Heart) direct from original studio masters-

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There have been so few vinyl LPs produced over the last 5 years that you should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever

This Collection has

THE TREMENDOUSLY RARE OUT OF PRINT 180 GRAM - THE GREAT OTIS REDDING SINGS SOUL BALLADS 

Pain In My Heart (Atco Release), - LIMITED EDITION COLORED VINYL ISSUE

The Soul Album, AUDIOPHILE HEAVY VINYL RELEASE

Live at the Whiskey A Go Go, AUDIOPHILE HEAVY VINYL RELEASE 

Dictionary of Soul, AUDIOPHILE HEAVY VINYL RELEASE 

Otis Blue, AUDIOPHILE HEAVY VINYL RELEASE

Dock of the Bay AUDIOPHILE HEAVY VINYL RELEASE

Live in Europe. AUDIOPHILE HEAVY VINYL RELEASE

All Limited Edition LP high-definition Virgin Vinyl pressing for superior fidelity (except for the rare ATCO Pain in My Heart).

The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard and of superior quality for any Audiophile Individually listed on Mymusicfix E-Bay Store with descriptions and prices.

THE GREAT OTIS REDDING SINGS SOUL BALLADS - Original Artwork ~ Gatefold Sleeve
Originally released in 1965 on Stax/Volt, this is Otis Redding's second album and noted in the August 2001 issue of MOJO as one of the best soul albums ever recorded... it contains several of Otis' classic tracks: 'That's How Strong My Love Is', 'Chained and Bound', 'A Woman, A Lover, A Friend', 'For Your Precious Love' and 'Mr. Pitiful'... this re-issue has new exclusive and detailed liner notes by maverick '60s music historian Alec Palao.

PAIN IN MY HEART - Like most R&B albums of the early 1960s, Otis Redding's 1964 debut was a mixture of the artist's contemporary hits ("These Arms of Mine," "Pain in My Heart"), B-sides ("Something Is Worrying Me," "Hey Hey Baby"), and covers of popular hits of the day ("You Send Me," "Stand by Me"). Stylistically, Redding was still trying to find his feet; though he obviously had the voice and ability to pull off tender ballads like the title track, he hadn't yet given up on trying to scream like Little Richard ("Lucille"). Worth the price of admission alone is the underrated "Security," which was the first in a string of great up-tempo Redding originals.

THE SOUL ALBUM - Although Redding was a great songwriter (he gave us Aretha's "Respect" and Arthur Conley's "Sweet Soul Music"--'nuff said), he partially made a reputation for himself as a great interpreter of other people's material, ranging from Beatles and Stones covers to "Louie Louie" to standards like "Try a Little Tenderness," which had originally been a hit for Bing Crosby. And unlike other soul artists of the time, including the great Jackie Wilson, Redding--with the help, of course, of guitarist Steve Cropper, bassist Donald "Duck" Dunn, and drummer Al Jackson--could take even schlock, at least in R&B terms (i.e., "The Tennessee Waltz"), and transcend it, making it his own. Otis makes all 11 tracks here his own--not that any of them were ever considered schlock. But many, including Sam Cooke's "Chain Gang," Roy Head's "Treat Her Right," and Wilson Pickett's "634-5789," were closely associated with their originators. Redding's cover of Smokey Robinson's "Scratch My Back" is so awesome that it makes you forget the Miracles' original. The Soul Album is sometimes underrated because it's a covers album--but it's a classic covers album

IN PERSON AT THE WHISKEY-A-GO-GO -Recorded in 1966, Otis Redding's In Person At The Whisky A Go Go is one of his best live albums, and is one of the best and most energetic live albums ever made. The album kicks off with the great I Can't Turn You Loose followed by Pain In My Heart, from Redding's first album. This is followed by the soulful plea of Just One More Day and a great version of his earlier hit Mr. Pitiful. The recording of Satisfaction on here is even better then the version on Otis Blue, and easily rivals the Stone's version. This is followed by three great soul songs, I'm Depending On You, Any Ole Way and the great ballad These Arms of Mine. Reddin then goes into a kickin' version of James Brown's Papa's Got A Brand New Bag, which at least as good as the original. The album closes with the classic Respect. This is just a tour de force performance and you can feel the energy coming off of it. This prooves just how great of a voice Otis Redding had and just how soulful he was. This is an essential album in Otis Redding's catalog and in the history of Soul and R&B.

LIVE IN EUROPE - Otis Redding's studio recordings remain some of soul's greatest moments, yet it was primarily his live performances that made Redding's reputation so stunning in the years prior to his death. In fact, at the time of his death, Redding had recently stolen the show at 1967's legendary Monterey Pop Festival. This live document was released only a month after that California performance in July of '67--and it's an even better set than the one that made him famous here in the States. In fact, it's a tossup between this and In Person at the Whisky a Go Go (released posthumously), in regards to capturing the soul great onstage in all his glory. But as much as the California hippies seemed to love Redding at the Whisky and at Monterey Pop, the Europeans simply adored him. That may be what gives this performance the slight edge as Redding runs through a standard set, spotlighting both some of his biggest hits as well as covers of tunes made famous by the Beatles, the Stones, the Temptations, the Isley Brothers, and Sam Cooke. Critic Sid Griffin suggested that this "is simply one of the few albums to give James Brown's breathtaking Live at the Apollo a run for its money". Tracks include: Respect - Can't Turn You Loose - I've Been Loving You Too Long - My Girl -. Shake - (I Can't Get No) Satisfaction - Fa-Fa-Fa-Fa-Fa (Sad Song) - These Arms of Mine - Day Tripper -. Try a Little Tenderness

OTIS REDDING - DICTIONARY OF SOUL - With its somewhat grandiose title, the legendary Otis Redding’s fifth album maintained much of the same formula that had been used on his previous recordings for the Stax subsidiary label Volt, combining some fine Redding-penned originals with the stylized vocalist’s interpretations of others’ material. While Redding always lent his own special raw, gospel-edged stamp to everything from the Beatles’ perky “Day Tripper” to a slowed-down unparalleled reading of the pop standard “Tennessee Waltz”, it was on his own songs -- half the album are his own songs -- such gems as “Fa-Fa’Fa-Fa-Fa (Sad Song) his (15th R&B hit single), the plaintive “Ton of Joy”, and the bluesy “Hawg for You” that Redding was at his soulful best. That said, nothing quite compares to how he turned another pop classic, “Try a Little Tenderness” into an emotive opus that became a showstopper wherever he appeared during his tragically short-lived four years as a hit-making recording artist. As an example of the horn-driven Memphis sound complete with the punchy horns of the Mar-Keys, Guitarist Steve Cropper and the rest of Booker T. & Mg’s - DICTIONARY OF SOUL is an excellent reference, and Redding is in peak form as a true American original, whether he’s giving ‘50s hit man Chuck Willis’s “You’re Still My Baby” a work over or breezing through his own almost-joyful “She Put The Hurt On Me”. Redding’s specialized vocal vocabulary includes some sidesplitting definitions of terms such as “gotta-gotta” (not able to do without) and “ou” (ouchless excitement).

OTIS REDDING - SINGS SOUL/OTIS BLUE - is ranked 35th on HME’s List of The Greatest Albums of All-Time. Rolling Stone Magazine gave this LP 5 Stars out of 5. Redding’s true dictionary of Soul, a stunning journey through the past and future vocabulary of R & B ---- documenting a masterful artist rising to --- the immense challenges of his times. Q Magazine also gave this LP 5 stars and stated it indispensable.> Personnel includes Steve Cropper on guitar - Isaac Hayes, Booker T, Donald “Duck” Dunn, Al Jackson Jr. Recorded at Stax Studios, Memphis, Tennessee in July of 1965. Originally released on Volt #412. Otis Redding, who brought classic Soul music to the white masses at the Monterey Pop Festival died later that year just as he was really gearing up for a creative burst that included Dock Of The Bay. This is the finest of many classic Otis albums in the Soul genre and an automatic recommendation for everyone’s play list. Redding could make you dance and scream and the next minute have you crying yourself to sleep. Such was his wide emotional range. On this album compare the power of respect and shake to the passion of I’ve Been Loving You Too Long and My Girl. Simply untouchable! Other songs include - Ole Man Trouble - A Change Is Gonna Come - Down In The Valley - Wonderful World - Rock Me Baby - Satisfaction - You Don’t Miss Your Water

THE DOCK OF THE BAY - Otis Redding’s The Dock Of The Bay album — spotlighting the deliciously wistful ’67 chart-topper of the same name — stamped his Hall Of Fame ticket forever. Cut from the original analog masters and now available on rock-solid HEAVY vinyl, The Dock Of The Bay, recorded just before his tragic plane crash in 1967, finds Otis Redding at the absolute peak of his art 

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