SAM COOKE- Mr. Soul Mono rare 1963 Long Play 33 1/3 Deep Groove PROMO NEAR MINT
  $   75

 


$ 75 Sold For
Apr 25, 2018 Sold Date
$   25 Start price
1 Number Of Bids
  USA Country Of Seller
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Description


              PLEASE TAKE A LOOK AT MY OTHER eBAY SOUL, FUNK AND HIP-HOP              AUCTIONS                                         

                                          ALWAYS EXPECT THE UNEXPECTED

SAM COOKE -  "Mr. Soul" in mono on RCA Victor LPM-2673.  Stunning copy, I don't see a mark on this record; deep groove pressings were rare in 1963 and this is a promo (not a white label promo) but there is a stamp on the back that says "Not For Sale, Promotional Use Only".   Comes with original grey RCA inner sleeve too.

NOTE:  When interpreting record grades, please read my standards and definitions below. Some sellers are overly conservative graders, some just the opposite.  Some sellers nail it. I try to be conservative. Records are generally not play-graded unless it's stated that they are. I have a no hassle return policy as long as I'm notified within 2 weeks of your receipt. Please message me through eBay before filing a claim with them. In almost all cases, I'm able to work things out with the buyer, either through a full refund upon return or a partial credit. I have good feedback and have been selling on eBay for almost 20 years.

DISC GRADE:  Near Mint

SLEEVE GRADE:  Near Mint Minus

LABELS:  Black and silver, "Long Play 33 1/3" on the bottom of the labels.

Tracklist 

A1 I Wish You Love Music By – Charles TrenetWords By – Albert Beach
A2 Willow Weep For Me Written-By – Ann Ronell
A3 Chains Of Love Written-By – Ahmet Ertegun
A4 Smoke Rings Music By – H. Eugene GiffordWords By – Ned Washington
A5 All The Way Music By – Jimmy Van HeusenWords By – Sammy Cahn
A6 Send Me Some Lovin' Written-By – John Marascalco, Leo Price (2)
B1 Cry Me A RIver Written-By – Arthur Hamilton
B2 Driftin' Blues Written-By – Charles Brown, Eddie Williams (3), Johnny Moore (2)
B3 For Sentimental Reasons Written-By – Deek Watson, William Best
B4 Nothing Can Change This Love Orchestrated By – Rene HallWritten-By – Sam Cooke
B5 Little Girl Written-By – Francis Henry, Madeline Hyde
B6 These Foolish Things Written-By – Harry Link, Holt Marvell, Jack Strachey

Companies, etc.

  • Recorded At – RCA Victor's Music Center Of The World

Credits

  • Engineer – Dave Hassinger
  • Liner Notes, Producer – Hugo & Luigi
  • Orchestrated By, Arranged By – Horace Ott

ABOUT THE ALBUM:

AllMusic Review by Bruce Eder  [-]

Sam Cooke released two albums in 1963, and the second, Night Beat, is often cited as the best of all his long-players. But the first, Mr. Soul, shouldn't be ignored, despite some flaws in its conception and execution. At the time, the powers-that-were at RCA Victor didn't know which audience to aim for with Cooke's albums. LPs were seldom huge sellers among teenage listeners, so the notion of trying to connect to an adult audience -- à la Nat King Cole -- probably seemed logical, and Mr. Soul suffered somewhat from this uncertainty of purpose and audience; it is a soul album, to be sure, but by the standards of the time a somewhat tentative one in many spots. Unlike Night Beat, which was an exercise in production restraint, Mr. Soul is over-produced and relies too much on strings where they aren't needed and choruses that are overdone, even when they work. But Cooke rises above all of it, and turns even some of the more questionably arranged songs, such as "Send Me Some Lovin'," into mini-masterpieces. A couple of tracks off of this album, "(I Love You) For Sentimental Reasons" and "Nothing Can Change This Love," were part of Cooke's live repertoire at the time and have, indeed, found a separate life on various compilations, but the rest was unavailable for over 45 years, until Sony/BMG re-released most of Cooke's RCA library. The best of that rest -- which is most of it -- shows him still rising to the peak of his powers, his voice wrapping itself around lyrics and melodies that might seem too familiar ("Cry Me a River," etc.) and bland, and making them much more significant and powerful than they seemingly have a right to be. The strings are overworked at times, but where they are held back, as on "Little Girl," their presence only adds to the impact of the track -- and elsewhere, Cooke quietly overpowers them. Modern listeners should bear in mind that, as a soul album, this is a fairly laid-back record -- those expecting anything like the exuberance of Otis Redding, or Clyde McPhatter or Ben E. King, may be disappointed at first; Cooke does work up a sweat on various parts and phrases, but a lot of what is here, by virtue of the label's wishes for a crossover record, is what might be terms "cool" soul -- smooth and sometimes bluesy, in a low-key way, quietly emotive on numbers such as "These Foolish Things," with the hot moments in special abundance on numbers like "Chains of Love" and "Send Me Some Lovin'." But even in these cool, restrained settings, Cooke's was still one of the finest voices of his century, and worth taking in for every breath and nuance.



















All records are carefully graded. In an attempt to give customers an accurate impression of condition rather than adhere to somewhat arbitrary criteria, I give an "overall presentation" grade, supplemented when necessary with additional remarks. Please refer to my grading system below for a more detailed explanation.

MY GRADING SYSTEMS: I?ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It?s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.

GRADING DESCRIPTIONS


RECORDS:
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  • Fair = you're getting this record just to own but not to play
  • Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

    VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some major labels were pressed on better quality vinyl and will sound better than a record which visually appears the same on "budget" labels which were pressed on lower quality vinyl. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on a high quality label that was visually graded VG+ may sound better than an album on a budget label that was visually graded Mint- or even Near Mint. Please refer to my return policy, below. But please don?t be shocked if a record visually graded Near Mint doesn?t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.

    COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:

    • I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
    • No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
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    • The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6 inch top and bottom seam splits - I've already reduced the grade because of the seam splits. If the seams weren't split, the cover would be graded higher such as VG++ or Mint-.

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