THE CHESTERFIELD KINGS RARE LP 60S PUNK GARAGE MIRROR RECORDS 80S US

	€		20
	$		23

Chesterfield Kings, The ?– Here Are The Chesterfield Kings Label: Mirror Records Inc. ?– TRES BON ETAT Format: Vinyl, LP, Album Country: US Released: 1982 Genre: Rock Style: Garage Rock TracklistHide Credits? A1 The Hustler Written-By – G Roslie* 2:06 A2 You Better Look Now Written-By – B Radell*, J Perotti*, M Spriggs* 2:07 A3 Outside Chance Written-By – G Crocker*, W Zevon* 2:42 A4 I Told Those Little White Lies Written-By – R Rowden*, W Hay* 2:42 A5 Won't Come Back Written By – C Geriniottis, R Gregory 2:28 A6 I'm Coming Home Written-By – Dan Klawson* 2:32 A7 Expo 2000 Written-By – R Podolor* 2:25 B1 No Way Out Written-By – Ed Cobb 2:11 B2 Come With Me Written By – F Sutton, J Alchley 2:00 B3 Fluctuation Written-By – Lee James 4:01 B4 Satisfaction Guaranteed Written-By – Rusty Keefer* 2:02 B5 99th Floor Written-By – B Gibbons* 2:15 B6 Time To Kill Written-By – J Hockstaff* 1:53 B7 60 Second Swinger Written-By – Aleck Janoulis 2:16 Credits? Artwork By [Design] – Roger Taze DeMuth Bass, Acoustic Guitar, Backing Vocals, Effects [Tape] – Andy Babiuk Drums, Backing Vocals, Tambourine [Tamborine] – Doug Meech Engineer – John M. Fritsch* Executive Producer – Armand Schaubroeck Guitar [Lead, 12 String], Backing Vocals [Backing, Vocals], Saxophone [Saxaphone] – Rick Cona Lead Vocals, Harmonica, Tambourine [Tamborine], Maracas [Maraccas], Other [Optical Sounds] – Greg Prevost Organ [Vox], Guitar [Rhythm], Piano, Effects – Orest Guran Photography – Mary Ellen Gardiner, S.L. Wendell Producer – Chesterfield Kings, The Notes? A3 "Out Side Chance", A4 "Little White Lies" on rear The Chesterfield Kings were a rock band from Rochester, New York, who began as a retro-1960s garage band, and who have heavily mined 1960s music, including some borrowing from the 1960s recordings of The Rolling Stones. Core members are former Distorted Level singer, underground music journalist and avid record collector Greg Prevost, and Andy Babiuk (16 years old at the time of the band's founding);[2] others have come and gone. The band, named after a defunct brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched such groups as the Unclaimed, Marshmallow Overcoat, The Fuzztones, The Malarians, Mystic Eyes, The Cynics, The Optic Nerve, the Secret Service, and the Stomachmouths.The early Kings were a late-1970s recreation of a mid-1960s garage band sound. Their self-released first single (Living Eye Records, LSD-1) was a cover of The Brogues' 1965 "I Ain't No Miracle Worker" b/w The Heard's 1967 "Exit 9".[3] In a deliberate effort to create their own rare garage-band collectible singles, only 500 copies were pressed. Their first broader public exposure came when a track on Greg Shaw's 1981 Bomp! Records compilation Battle of the Garage netted them a series of dates at the Peppermint Lounge in New York City. They continued with this 1960s garage sound through the mid-1980s, releasing two albums—Here are the Chesterfield Kings (1982) was entirely covers, and Stop! (1985) introduced their first originals—then turned to a harder-edged rock sound for Don't Open Till Doomsday (1987), which Piero Scaruffi describes as "uninspired and confused",[2] and Berlin Wall of Sound (1989), featuring the blues guitar work of new band member Paul Rocco, followed by an acoustic blues record Drunk On Muddy Water (1990). Their Let's Go Get Stoned (1994) is a mix of slightly post-Aftermath Stones covers and worthy originals in the Stones' style. Surfin' Rampage (1997) showed that they were fully capable of pop harmonies; Where the Action Is (1999) was a return to garage band roots, a mix of covers and 1960s-styled originals. The Mindbending Sounds of the Chesterfield Kings (2003) pays tribute to the more baroque side of the 1960s underground, evoking at times the sound of the Electric Prunes ("Transparent Life", "Disconnection"), and featuring appearances by Jorma Kaukonen on two tracks.[2] The Kings' full-length feature film Where is the Chesterfield King? (2000) is described on their web site as "A comedy/drama in the vein of The Bowery Boys, Batman, The Monkees Show, A Hard Day's Night, Hawaiian Eye, and The Munsters, with a little Three Stooges slapstick to boot…"[4]
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